Placeholder: (heavy metal / metal hurlant: psychedelic), (Seen from above) (High-resolution, 35mm film grain photo by Ray Harryhausen), The Great Sinking of Pandora. The ocean world Pandora, its ancient living ecosystem a shattered, toxic memory, is now a horizon-to-horizon abyss of churning deep indigo and radioactive magenta waters under a sky the color of a fresh bruise, split by psychedelic, prismatic auroras. The Islander Exodus: Two enormous, kilometers-wide bioengineered floating islands, shaped like (heavy metal / metal hurlant: psychedelic), (Seen from above) (High-resolution, 35mm film grain photo by Ray Harryhausen), The Great Sinking of Pandora. The ocean world Pandora, its ancient living ecosystem a shattered, toxic memory, is now a horizon-to-horizon abyss of churning deep indigo and radioactive magenta waters under a sky the color of a fresh bruise, split by psychedelic, prismatic auroras. The Islander Exodus: Two enormous, kilometers-wide bioengineered floating islands, shaped like

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(heavy metal / metal hurlant: psychedelic), (Seen from above) (High-resolution, 35mm film grain photo by Ray Harryhausen), The Great Sinking of Pandora. The ocean world Pandora, its ancient living ecosystem a shattered, toxic memory, is now a horizon-to-horizon abyss of churning deep indigo and radioactive magenta waters under a sky the color of a fresh bruise, split by psychedelic, prismatic auroras. The Islander Exodus: Two enormous, kilometers-wide bioengineered floating islands, shaped like

distorted image, malformed body, malformed fingers, ugly, malformed members

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SSD-1B

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a colossal titanic spaceship gracefully navigating the vast expanse of space, looming close to a large grey planet. The massive vessel, adorned with sleek metallic hulls and intricate technological marvels, exudes a sense of awe-inspiring grandeur as it glides through the cosmic void. Against the backdrop of the imposing grey planet, the spaceship appears as a behemoth
A group of scientists, A conscious machine In the space, in a spaceship, with a computer: Destination: Void this is the science fiction novel by Frank Herbert, the first of four novels in the Pandora Sequence series. the story is continued—and embellished with more details of the Moonbase project and the history of the clones—in The Jesus Incident, The Lazarus Effect and The Ascension Factor co-authored by Bill Ransom. Record of Lodoss War style, Linework: Expressive, expressive black ink line
NOGI SAN style: Among Us The Skeld Ship Outside
Bigger! Wilder! Whoa! this whale spaceship passes over the camera, it is an hybrid between code and metal: a gigantic metallic structure covered by cryptic code. The metallic surface gleams in the space void, reflecting the harsh rays like a mirror. The cryptic code, a language unknown to any human, glows softly, pulsating with an otherworldly energy.
[high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean
[high res photo by Jean-Paul Riopelle for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean
Klaatu, the extraterrestrial being from "The Day the Earth Stood Still," is now on Earth, assisting humans in building a house to live underwater. The walls are reinforced with materials unknown to Earth, providing strength and protection against the ocean's immense power. As the house nears completion, the humans marvel at the thought of living beneath the waves, surrounded by the beauty and danger of the deep sea.
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
(art by Philippe Druillet's Délirius, 1973, written by Jacques Lob) Sloan in the celestial city: Hold me back or I'll make a mess
[high res photo by Jean-Paul Riopelle (1967)] Ultimate design for the heavily armed SCUBA scout, a submarine high impact vehicle. at the bottom of the deep ocean
[high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."

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