Placeholder: a colossal titanic spaceship gracefully navigating the vast expanse of space, looming close to a large grey planet. The massive vessel, adorned with sleek metallic hulls and intricate technological marvels, exudes a sense of awe-inspiring grandeur as it glides through the cosmic void. Against the backdrop of the imposing grey planet, the spaceship appears as a behemoth a colossal titanic spaceship gracefully navigating the vast expanse of space, looming close to a large grey planet. The massive vessel, adorned with sleek metallic hulls and intricate technological marvels, exudes a sense of awe-inspiring grandeur as it glides through the cosmic void. Against the backdrop of the imposing grey planet, the spaceship appears as a behemoth

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@generalpha

Prompt

a colossal titanic spaceship gracefully navigating the vast expanse of space, looming close to a large grey planet. The massive vessel, adorned with sleek metallic hulls and intricate technological marvels, exudes a sense of awe-inspiring grandeur as it glides through the cosmic void. Against the backdrop of the imposing grey planet, the spaceship appears as a behemoth

distorted image, malformed body, malformed fingers

8 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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star trek camp parked in barracks: In the mine's dark depths, shadows dance with malice, Captives enslaved by massive scavengers' cruel malice. Axes and pikes wielded, herded like cattle to doom, Tribe's ruthless ways assign mining, sealing captives' gloom. Toiling under watchful eyes, pickaxes clang in the dark, Echoing through tunnels, a reminder stark. Flickering torchlight casts eerie shadows, foreboding air, Stale and oppressive, burdened with despair.
The new conscious being, now known as 'Ship', gains a level of awareness that allows it to manipulate space and time. Ship instantly transports itself to a planet which it has decided the crew will colonize, christening it "Pandora". The first book ends with a demand from Ship for the crew to learn how to WorShip or how to establish a relationship with Ship, a godlike being.
Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software. , by Chris Foss
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
Aliens have finally arrived to make contact with us. Only problem is they are monstrous and dead, and they have come to assimilate us into their eternity.
Death has arrived and it came in a spaceship.
[art by Chris Foss] Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software
In a stark, alien landscape rendered in bold, flat colors, a colossal spaceship has crash-landed. Its metallic hull, etched with harsh lines and rivets, is stained with streaks_of what could be oil or alien blood. The ground around it is cracked and uneven, hinting at the violence_of the impact. Jagged, jagged mountains rise in the distance, their peaks scraping a sky filled with swirling, alien clouds. There's no sign of life, just an unsettling emptiness that stretches out in all directions. T
by the time of The Jesus Incident, the crew has become a mixed bag of peoples from various cultures that have been accepted as crew members by Ship when it visited their planet as well as people who have been conceived and born on the ship. Evidently Ship has shown up at a number of planets as the suns of those planets were going nova, the implication being that these planets were other, failed experiments by Ship to establish a relationship with human beings. Ship refers to these as replays of
the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray
[art by Chris Foss] Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software
the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray
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