Placeholder: [high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean [high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean

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[high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean

distorted image, malformed body, malformed fingers

3 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1248 × 832

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[high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean
[Blueprint and 3D detailed technical view with all specs by Jean-Claude Mézières for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such.
[high res photo by Jean-Paul Riopelle (1967)] Ultimate design for the heavily armed SCUBA scout, a submarine high impact vehicle. at the bottom of the deep ocean
Developed by the Askwit Shipwrighting clan, the Holtza Class was always intended as a fast transport vessel for warzones, but the war it was intended for came to an end before the end of the initial production run. It carries two forward mounted, and one aft mounted torpedo launchers, point-defense plasma cannons, and atmospheric-capable missile launchers. The vessel can be flown by a single individual, and has sufficient room inside for three other persons, although the interior is cr
[high res photo by Jean-Paul Riopelle for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
X-ray scan of an incredible spaceship, by Jean-Claude Meziere
[art of John Blanche, frank frazetta, Heath Robinson and Norman Rockwell] The starship drifted through the void, its hull a lattice of blackened chrome and crimson light, pulsating. Within its core, the engine hummed with an energetic rhythm, a mechanical heartbeat defying the silence of the abyss.Cloaked in an enigmatic aura, the pilot sat in solitude, her face half-hidden behind a mask of iridescent crystal. She was a navigator of the forgotten, charting pathways through dimensions no human mi
[art by Dorohedoro] a new world emerges. A world where a gigantic obsidian crystal spaceship dominates the skies. Its massive bones jut out, the skull at the prow and the feet at the engine, like some gothic monstrosity brought to life. The brass coverings gleam in the light, adding an air of ancient mystery to the vessel.
[high res photo by Jean-Paul Riopelle (1967)] Ultimate design for the heavily armed SCUBA scout, a submarine high impact vehicle. at the bottom of the deep ocean
[photo by Ralph Steadman] Behold the fantastical creation of Professor Blockhead, a steam-powered contraption whirring and clicking with fervor. The eccentric inventor gazes upon his invention with theatrical awe, frozen in perpetual amazement. Copper pipes gleam, brass gears sputter, and steam hisses, adding a mystical air to the scene. In the style of Jules Verne, the spectacle captures the essence of boundless imagination and audacious brilliance. The contraption embodies the chaotic energy o
the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray
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