Placeholder: Klaatu, the extraterrestrial being from "The Day the Earth Stood Still," is now on Earth, assisting humans in building a house to live underwater. The walls are reinforced with materials unknown to Earth, providing strength and protection against the ocean's immense power. As the house nears completion, the humans marvel at the thought of living beneath the waves, surrounded by the beauty and danger of the deep sea. Klaatu, the extraterrestrial being from "The Day the Earth Stood Still," is now on Earth, assisting humans in building a house to live underwater. The walls are reinforced with materials unknown to Earth, providing strength and protection against the ocean's immense power. As the house nears completion, the humans marvel at the thought of living beneath the waves, surrounded by the beauty and danger of the deep sea.

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@generalpha

Prompt

Klaatu, the extraterrestrial being from "The Day the Earth Stood Still," is now on Earth, assisting humans in building a house to live underwater. The walls are reinforced with materials unknown to Earth, providing strength and protection against the ocean's immense power. As the house nears completion, the humans marvel at the thought of living beneath the waves, surrounded by the beauty and danger of the deep sea.

distorted image, malformed body

7 months ago

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SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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Klaatu, the extraterrestrial being from "The Day the Earth Stood Still," is now on Earth, assisting humans in building a house to live underwater. The walls are reinforced with materials unknown to Earth, providing strength and protection against the ocean's immense power. As the house nears completion, the humans marvel at the thought of living beneath the waves, surrounded by the beauty and danger of the deep sea.
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
Aliens have finally arrived to make contact with us. Only problem is they are monstrous and dead, and they have come to assimilate us into their eternity.
[high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean
[art from Destination: Void, by Franck Herbert (1965)] "Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy." Prudence follows you and the Captain into the workshop, her eyes bright with determination. She approaches the main control panel, her fingers hovering over the blinking lights and scrolling readouts. "We'll need to completel
[high res photo by Jean-Paul Riopelle for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean
the cover to Walrus, And that was the colors of the saucer? No, her swimsuit. (1967) #47 by Stephen Bissette and John Totleben
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
Archival photograph of aliens landing at Area 51 and meeting Orson Welles in jaunty desert garb
ConceptSheet blueprint [by Frank Kupka]: FBI equipment to investigate and capture a serial killer, including the colors of the saucer, that is under cover in SCUBA.
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