Placeholder: [high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean [high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean

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[high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean

distorted image, malformed body, malformed fingers

8 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1248 × 832

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[high res photo by Jean-Paul Riopelle for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean
[art from Destination: Void, by Franck Herbert (1965)] "Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy." Prudence follows you and the Captain into the workshop, her eyes bright with determination. She approaches the main control panel, her fingers hovering over the blinking lights and scrolling readouts. "We'll need to completel
Agatha's eyes widened as she beheld the colossal octopus-robot, an awe-inspiring creation that towered over the cave's confines. Its metallic limbs reached out like a network of serpentine tendrils, poised and ready to strike against the forces of evil
[photo by Ralph Steadman] Behold the fantastical creation of Professor Blockhead, a steam-powered contraption whirring and clicking with fervor. The eccentric inventor gazes upon his invention with theatrical awe, frozen in perpetual amazement. Copper pipes gleam, brass gears sputter, and steam hisses, adding a mystical air to the scene. In the style of Jules Verne, the spectacle captures the essence of boundless imagination and audacious brilliance. The contraption embodies the chaotic energy o
[high res photo by Jean-Paul Riopelle (1967)] Ultimate design for the heavily armed SCUBA scout, a submarine high impact vehicle. at the bottom of the deep ocean
[high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean
[high res photo by Jean-Paul Riopelle (1967)] Ultimate design for the heavily armed SCUBA scout, a submarine high impact vehicle. at the bottom of the deep ocean
“Un de ces longs bras glissa par l’ouverture”Alphonse de Neuville (1835-1885) - Long Arm GlidedIllustration from Jules Verne’s “Twenty thousand leagues under the sea”, 1870
[Blueprint and 3D detailed technical view with all specs by Jean-Claude Mézières for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such.
the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray
Agatha's eyes widened as she beheld the colossal octopus-robot, an awe-inspiring creation that towered over the cave's confines. Its metallic limbs reached out like a network of serpentine tendrils, poised and ready to strike against the forces of evil
Agatha's eyes widened as she beheld the colossal octopus-robot, an awe-inspiring creation that towered over the cave's confines. Its metallic limbs reached out like a network of serpentine tendrils, poised and ready to strike against the forces of evil
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