Placeholder: (in the style of Orion, by Masamune Shirow) Optimized Prompt A hyper-realistic, 35mm photograph of a biologically fused creature-vehicle hybrid, combining the morphology of a humpback whale with a vintage, custom-built, heavy-duty industrial diesel-powered amphibious cargo truck. The creature-truck is traversing a chaotic, neon-drenched desert highway at dusk, kicking up a trail of glowing dust under a spiraling, tie-dye sky. The "whale" forms the bulk of the vehicle's cabin and cargo hold, its (in the style of Orion, by Masamune Shirow) Optimized Prompt A hyper-realistic, 35mm photograph of a biologically fused creature-vehicle hybrid, combining the morphology of a humpback whale with a vintage, custom-built, heavy-duty industrial diesel-powered amphibious cargo truck. The creature-truck is traversing a chaotic, neon-drenched desert highway at dusk, kicking up a trail of glowing dust under a spiraling, tie-dye sky. The "whale" forms the bulk of the vehicle's cabin and cargo hold, its

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@generalpha

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(in the style of Orion, by Masamune Shirow) Optimized Prompt A hyper-realistic, 35mm photograph of a biologically fused creature-vehicle hybrid, combining the morphology of a humpback whale with a vintage, custom-built, heavy-duty industrial diesel-powered amphibious cargo truck. The creature-truck is traversing a chaotic, neon-drenched desert highway at dusk, kicking up a trail of glowing dust under a spiraling, tie-dye sky. The "whale" forms the bulk of the vehicle's cabin and cargo hold, its

distorted image, malformed body, malformed fingers, ugly, malformed members

4 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1248 × 832

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(in the style of Orion, by Masamune Shirow) Optimized Prompt A hyper-realistic, 35mm photograph of a biologically fused creature-vehicle hybrid, combining the morphology of a humpback whale with a vintage, custom-built, heavy-duty industrial diesel-powered amphibious cargo truck. The creature-truck is traversing a chaotic, neon-drenched desert highway at dusk, kicking up a trail of glowing dust under a spiraling, tie-dye sky. The "whale" forms the bulk of the vehicle's cabin and cargo hold, its
[Blueprint and 3D detailed technical view with all specs by Jean-Claude Mézières for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such.
[high res photo by Jean-Paul Riopelle (1967)] Ultimate design for the heavily armed SCUBA scout, a submarine high impact vehicle. at the bottom of the deep ocean
[high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean
[high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean
[high res photo by Jean-Paul Riopelle for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean
[high res photo by Jean-Paul Riopelle (1967)] Ultimate design for the heavily armed SCUBA scout, a submarine high impact vehicle. at the bottom of the deep ocean
Sketches, blueprint of futuristic, sci fi, hyperdrive engines, repair, matter and anti matter holding chamber, equations for calibrating warp engine, star drive engines, placement besides ship, formulas and annotations, schematic by parts, golden ratio, fake detail, trending pixiv fanbox, style of makoto shinkai, studio ghibli genshin, impact, james gilleard, George A. Trish from StateCorp, greg rutkowski, chiho aoshi This is a concept sheet for the spacecraft design
[art by Dorohedoro] a new world emerges. A world where a gigantic obsidian crystal spaceship dominates the skies. Its massive bones jut out, the skull at the prow and the feet at the engine, like some gothic monstrosity brought to life. The brass coverings gleam in the light, adding an air of ancient mystery to the vessel.
[art from Destination: Void, by Franck Herbert (1965)] "Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy." Prudence follows you and the Captain into the workshop, her eyes bright with determination. She approaches the main control panel, her fingers hovering over the blinking lights and scrolling readouts. "We'll need to completel
[art by Moebius] A yellow spaceship with two large engines on the sides is flying through clouds. It has an oval shape and looks like it could be from Star Wars or Blade Runner. It's leaving behind a long trail of light as its engine fires off on one side. A planet can be seen far away above the ship. Photorealistic in the style of concept art.
Developed by the Askwit Shipwrighting clan, the Holtza Class was always intended as a fast transport vessel for warzones, but the war it was intended for came to an end before the end of the initial production run. It carries two forward mounted, and one aft mounted torpedo launchers, point-defense plasma cannons, and atmospheric-capable missile launchers. The vessel can be flown by a single individual, and has sufficient room inside for three other persons, although the interior is cr
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