Placeholder: the iconic spaceship of Destination: Void, by Franck Herbert (1965) the iconic spaceship of Destination: Void, by Franck Herbert (1965)

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the iconic spaceship of Destination: Void, by Franck Herbert (1965)

7 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1280 × 720

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the iconic spaceship of Destination: Void, by Franck Herbert (1965)
[art of John Blanche, frank frazetta, Heath Robinson and Norman Rockwell] The starship drifted through the void, its hull a lattice of blackened chrome and crimson light, pulsating. Within its core, the engine hummed with an energetic rhythm, a mechanical heartbeat defying the silence of the abyss.Cloaked in an enigmatic aura, the pilot sat in solitude, her face half-hidden behind a mask of iridescent crystal. She was a navigator of the forgotten, charting pathways through dimensions no human mi
SNFIIN'GLUE mag cover by Ralph Steadman for a special issue on medical tooling for Extra Terrestrial experiments (zone 51), guest star: FBI special agent investigating on UFO for experiments on humans
Death has arrived and it came in a spaceship.
[Kupka] Driven by an unexplained urge, Ensign Williams followed her instincts, venturing outside the secured areas of the Starfleet vessel USS Enterprise in a shuttlecraft. She flew across the desert-like surface of the uncharted Class M planet they were orbiting, leaving the mountains they had been surveying behind. The barren landscape stretched as far as the sensors could detect, a stark contrast to the sleek corridors and bustling activity of the starships she called home. The sterile enviro
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
[high res photo by Jean-Claude Meziere with Kupka's palette] Ensign Williams, driven by an unexplained urge, followed her instincts and ventured outside the secured areas of the USS Enterprise in a shuttlecraft. Flying over the desolate, desert-like surface of the uncharted Class M planet, she left behind the familiar mountains and entered a barren landscape that seemed to stretch endlessly. Dust devils danced across the plains, and ancient rock formations stood as silent sentinels of the planet
Bruce Pennington’s 1974 cover art for “Beyond This Horizon,” by Robert Heinlein
[Kupka] Driven by an unexplained urge, Ensign Williams followed her instincts, venturing outside the secured areas of the Starfleet vessel USS Enterprise in a shuttlecraft. She flew across the desert-like surface of the uncharted Class M planet they were orbiting, leaving the mountains they had been surveying behind. The barren landscape stretched as far as the sensors could detect, a stark contrast to the sleek corridors and bustling activity of the starships she called home. The sterile enviro
star trek camp parked in barracks: In the mine's dark depths, shadows dance with malice, Captives enslaved by massive scavengers' cruel malice. Axes and pikes wielded, herded like cattle to doom, Tribe's ruthless ways assign mining, sealing captives' gloom. Toiling under watchful eyes, pickaxes clang in the dark, Echoing through tunnels, a reminder stark. Flickering torchlight casts eerie shadows, foreboding air, Stale and oppressive, burdened with despair.
[art by Bruce Pennington]
[art of John Blanche, frank frazetta, Heath Robinson and Norman Rockwell] The starship drifted through the void, its hull a lattice of blackened chrome and crimson light, pulsating. Within its core, the engine hummed with an energetic rhythm, a mechanical heartbeat defying the silence of the abyss.Cloaked in an enigmatic aura, the pilot sat in solitude, her face half-hidden behind a mask of iridescent crystal. She was a navigator of the forgotten, charting pathways through dimensions no human mi
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