Placeholder: [art by William S. Burroughs] The sky was the color of television, tuned to a dead channel [art by William S. Burroughs] The sky was the color of television, tuned to a dead channel

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[art by William S. Burroughs] The sky was the color of television, tuned to a dead channel

3 months ago

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SSD-1B

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7

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1024 × 1024

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the concept of control and manipulation in the electronic age. He scrutinizes how technology, particularly the rise of mass media and communication systems, can be harnessed by those in power to shape and mold public opinion. Burroughs delves into the sinister ways in which information control can be wielded, and the potential dangers that arise from this manipulation. Furthermore, "The Electronic Revolution" delves into the realm of consciousness and perception. Burroughs explores how technolog
The sky was the color of television, tuned to a dead channel
[Hunter Captures Elusive Fairy in Forest, May 18, 1889 - Sussex, England] In a remarkable event, local hunter Thomas Whitaker has captured a fairy in the dense woodlands of Sussex. Whitaker ensnared the elusive creature during a routine hunt. The fairy, described as having delicate wings and an ethereal glow, is currently being interrogated, hoping to uncover the location of other fairies believed to be responsible for the recent disappearance of local children.
[Renaissance, a Sir, a pond] Who was I? Where was I?… The landscape was totally unknown to me, even my body was unfamiliar. What forces brought me here? I searched my mind for memories… There was something there, but it was too clouded… A name… I scanned the horizon. A distant structure rose out of the mists. As evening approached I came upon an enigmatic oasis with a fountain.
Archival photograph of aliens landing at Area 51 and meeting Orson Welles in jaunty desert garb
In the surreal realm of vintage photography, a haunting image emerges - a woman in a white rabbit mask in a desolate rural setting. The eerie atmosphere is intensified by overcast lighting and stained surroundings. The shallow depth of field accentuates the unsettling mood, drawing the viewer into a world of mystery and unease. The photograph captures a moment frozen in time, inviting contemplation of hidden truths and untold stories beyond the frame.
Darkness fell as they entered the looming marshes. Mist curled around twisted trees like spectral fingers. Alex shivered, every cracked branch an impending threat. A piercing cry shattered the eerie quiet. They raced toward the sound, emerging in a small clearing. There, suspended above a foggy pool, hung Mikołaj - tiny fists beating futilely against thin air. Below, hulking Spas clawed his way from the water, face twisted in hunger. But Alex saw only her prey: the demon who tormented her mother
Found This Old Photo of alien creatures
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
starting points, multiple origins, the music of empty space
[photo by Helmut Newton] Overhead, noises, branches of the pine shifting. Then nothing. The weak sun flickered over the dry surface. It is terrible to survive as consciousness buried in the dark earth. Then it was over: that which you fear, being a soul and unable
The road goes ever on and on, down from the door where it began
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