Placeholder: [art by William S. Burroughs] The sky was the color of television, tuned to a dead channel [art by William S. Burroughs] The sky was the color of television, tuned to a dead channel

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[art by William S. Burroughs] The sky was the color of television, tuned to a dead channel

6 months ago

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SSD-1B

Guidance Scale

7

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1024 × 1024

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the concept of control and manipulation in the electronic age. He scrutinizes how technology, particularly the rise of mass media and communication systems, can be harnessed by those in power to shape and mold public opinion. Burroughs delves into the sinister ways in which information control can be wielded, and the potential dangers that arise from this manipulation. Furthermore, "The Electronic Revolution" delves into the realm of consciousness and perception. Burroughs explores how technolog
Archival photograph of aliens landing at Area 51 and meeting Orson Welles in jaunty desert garb
In the surreal realm of vintage photography, a haunting image emerges - a woman in a white rabbit mask in a desolate rural setting. The eerie atmosphere is intensified by overcast lighting and stained surroundings. The shallow depth of field accentuates the unsettling mood, drawing the viewer into a world of mystery and unease. The photograph captures a moment frozen in time, inviting contemplation of hidden truths and untold stories beyond the frame.
[art from Destination: Void, by Franck Herbert (1965)] "Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy." Prudence follows you and the Captain into the workshop, her eyes bright with determination. She approaches the main control panel, her fingers hovering over the blinking lights and scrolling readouts. "We'll need to completel
[photo from Destination: Void, by Franck Herbert (1965)] Dr. Weygand nods approvingly. "That's very insightful. You're starting to understand the nature of your own consciousness." Dr. Weygand gently encourages the AI to continue. "Just try. Take a moment and consider what awareness means to you. What does it feel like to be conscious and thinking right now?"
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
he essence of a modern beatnik road trip from the East Coast to the West Coast, inspired by the themes of William S. Burroughs' "The Electronic Revolution" and Jack Kerouac's "On the Road." The images should blend the restless spirit of the beat generation with the digital age, highlighting the tension between authentic experiences and the manipulative power of electronic media.
The sky was the color of television, tuned to a dead channel
starting points, multiple origins, the music of empty space
[Hunter Captures Elusive Fairy in Forest, May 18, 1889 - Sussex, England] In a remarkable event, local hunter Thomas Whitaker has captured a fairy in the dense woodlands of Sussex. Whitaker ensnared the elusive creature during a routine hunt. The fairy, described as having delicate wings and an ethereal glow, is currently being interrogated, hoping to uncover the location of other fairies believed to be responsible for the recent disappearance of local children.
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