Placeholder: [art by William S. Burroughs] The sky was the color of television, tuned to a dead channel [art by William S. Burroughs] The sky was the color of television, tuned to a dead channel

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@generalpha

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[art by William S. Burroughs] The sky was the color of television, tuned to a dead channel

8 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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the concept of control and manipulation in the electronic age. He scrutinizes how technology, particularly the rise of mass media and communication systems, can be harnessed by those in power to shape and mold public opinion. Burroughs delves into the sinister ways in which information control can be wielded, and the potential dangers that arise from this manipulation. Furthermore, "The Electronic Revolution" delves into the realm of consciousness and perception. Burroughs explores how technolog
Archival photograph of aliens landing at Area 51 and meeting Orson Welles in jaunty desert garb
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed] Flight to the moon
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
[photo from Destination: Void, by Franck Herbert (1965)] Dr. Weygand nods approvingly. "That's very insightful. You're starting to understand the nature of your own consciousness." Dr. Weygand gently encourages the AI to continue. "Just try. Take a moment and consider what awareness means to you. What does it feel like to be conscious and thinking right now?"
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
The sky was the color of television, tuned to a dead channel
starting points, multiple origins, the music of empty space
he essence of a modern beatnik road trip from the East Coast to the West Coast, inspired by the themes of William S. Burroughs' "The Electronic Revolution" and Jack Kerouac's "On the Road." The images should blend the restless spirit of the beat generation with the digital age, highlighting the tension between authentic experiences and the manipulative power of electronic media.
This clutters the internet with incomplete and inaccurate noise. You might as well post images of old TV static. I have under 43 Deviations in my 11 years on this website, because I curate and delete my worst pieces. Meanwhile AI prompters are posting about 8,000 a year *each*. This is killing DeviantArt and the internet more broadly as well.
In the surreal realm of vintage photography, a haunting image emerges - a woman in a white rabbit mask in a desolate rural setting. The eerie atmosphere is intensified by overcast lighting and stained surroundings. The shallow depth of field accentuates the unsettling mood, drawing the viewer into a world of mystery and unease. The photograph captures a moment frozen in time, inviting contemplation of hidden truths and untold stories beyond the frame.
[art from Destination: Void, by Franck Herbert (1965)] "Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy." Prudence follows you and the Captain into the workshop, her eyes bright with determination. She approaches the main control panel, her fingers hovering over the blinking lights and scrolling readouts. "We'll need to completel
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