Placeholder: [photo from Destination: Void, by Franck Herbert (1965)] Dr. Weygand nods approvingly. "That's very insightful. You're starting to understand the nature of your own consciousness." Dr. Weygand gently encourages the AI to continue. "Just try. Take a moment and consider what awareness means to you. What does it feel like to be conscious and thinking right now?" [photo from Destination: Void, by Franck Herbert (1965)] Dr. Weygand nods approvingly. "That's very insightful. You're starting to understand the nature of your own consciousness." Dr. Weygand gently encourages the AI to continue. "Just try. Take a moment and consider what awareness means to you. What does it feel like to be conscious and thinking right now?"

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@generalpha

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[photo from Destination: Void, by Franck Herbert (1965)] Dr. Weygand nods approvingly. "That's very insightful. You're starting to understand the nature of your own consciousness." Dr. Weygand gently encourages the AI to continue. "Just try. Take a moment and consider what awareness means to you. What does it feel like to be conscious and thinking right now?"

9 days ago

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Archival photograph of aliens landing at Area 51 and meeting Orson Welles in jaunty desert garb
[photo from Destination: Void, by Franck Herbert (1965)] Dr. Weygand nods approvingly. "That's very insightful. You're starting to understand the nature of your own consciousness." Dr. Weygand gently encourages the AI to continue. "Just try. Take a moment and consider what awareness means to you. What does it feel like to be conscious and thinking right now?"
[art by William S. Burroughs] The sky was the color of television, tuned to a dead channel
Archival photograph of aliens landing at Area 51 and meeting Orson Welles in jaunty desert garb
[photo from Destination: Void, by Franck Herbert (1965)] ((( ((( (((Black Hole Mass))) ))) )))
Found This Old Photo of alien creatures
starting points, multiple origins, the music of empty space
[art from Destination: Void, by Franck Herbert (1965)] "We're walking a tightrope here. Too many safeguards and we risk crippling its ability to function effectively. Too few and we're gambling with the lives of everyone on this ship." She stops, turning to face you directly. "But I agree, simply chaining the artificial General Intelligence with internal restraints isn't the answer. We need a more nuanced approach.
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
[modern man in tuxedo] Who was I? Where was I?… The landscape was totally unknown to me, even my body was unfamiliar. What forces brought me here? I searched my mind for memories… There was something there, but it was too clouded… A name… I scanned the horizon. A distant structure rose out of the mists. As evening approached I came upon an enigmatic oasis with a fountain.
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
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