Placeholder: he essence of a modern beatnik road trip from the East Coast to the West Coast, inspired by the themes of William S. Burroughs' "The Electronic Revolution" and Jack Kerouac's "On the Road." The images should blend the restless spirit of the beat generation with the digital age, highlighting the tension between authentic experiences and the manipulative power of electronic media. he essence of a modern beatnik road trip from the East Coast to the West Coast, inspired by the themes of William S. Burroughs' "The Electronic Revolution" and Jack Kerouac's "On the Road." The images should blend the restless spirit of the beat generation with the digital age, highlighting the tension between authentic experiences and the manipulative power of electronic media.

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@generalpha

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he essence of a modern beatnik road trip from the East Coast to the West Coast, inspired by the themes of William S. Burroughs' "The Electronic Revolution" and Jack Kerouac's "On the Road." The images should blend the restless spirit of the beat generation with the digital age, highlighting the tension between authentic experiences and the manipulative power of electronic media.

3 months ago

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SSD-1B

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7

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1280 × 720

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he essence of a modern beatnik road trip from the East Coast to the West Coast, inspired by the themes of William S. Burroughs' "The Electronic Revolution" and Jack Kerouac's "On the Road." The images should blend the restless spirit of the beat generation with the digital age, highlighting the tension between authentic experiences and the manipulative power of electronic media.
codargilv
ithin this realm of the local, we encounter the enchanting concept of continuity. It is through the lens of local continuity that we perceive the behavior of functions within a small vicinity. The modulus of continuity, like a maestro's baton, guides our exploration. It measures the rate at which a function can wiggle and wander within a confined neighborhood. It quantifies the subtle oscillations, the intricate twists and turns, that a function can take on this intimate scale. But let us not co
"i feel pain, i feel it, i feel that i am in Hell" You say: "You have to be honest, i will not help you if you lie to me" The man says: "You have to be honest, i will not help you if you lie to me" The man says: "When i felt the truck losing control, i saw a shadow, and a black cloud above me, they were very strange, and they were moving really fast. "When i felt the truck losing control, i saw a shadow, and a black cloud above me, they were very strange, and they were moving really fast.
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
[art by William S. Burroughs] The sky was the color of television, tuned to a dead channel
[photo by Helmut Newton] Overhead, noises, branches of the pine shifting. Then nothing. The weak sun flickered over the dry surface. It is terrible to survive as consciousness buried in the dark earth. Then it was over: that which you fear, being a soul and unable
[photo by Russ Meyer on the streets] Come and give your love away, don't play it safe. You may let them fall but I won't let them break. Wanna chase a sunset, are You ready yet? You won't get this chance every day. It's cold out there, don't fear the road just come along with us. You're not alone out there. Let's write a song, make up the melody: “if you're looking for me baby you know you can find me following the sun”.
the iconic scene of Destination: Void, by Franck Herbert (1965)
The sky was the color of television, tuned to a dead channel
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
streetlight effect
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