Placeholder: the concept of control and manipulation in the electronic age. He scrutinizes how technology, particularly the rise of mass media and communication systems, can be harnessed by those in power to shape and mold public opinion. Burroughs delves into the sinister ways in which information control can be wielded, and the potential dangers that arise from this manipulation. Furthermore, "The Electronic Revolution" delves into the realm of consciousness and perception. Burroughs explores how technolog the concept of control and manipulation in the electronic age. He scrutinizes how technology, particularly the rise of mass media and communication systems, can be harnessed by those in power to shape and mold public opinion. Burroughs delves into the sinister ways in which information control can be wielded, and the potential dangers that arise from this manipulation. Furthermore, "The Electronic Revolution" delves into the realm of consciousness and perception. Burroughs explores how technolog

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@generalpha

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the concept of control and manipulation in the electronic age. He scrutinizes how technology, particularly the rise of mass media and communication systems, can be harnessed by those in power to shape and mold public opinion. Burroughs delves into the sinister ways in which information control can be wielded, and the potential dangers that arise from this manipulation. Furthermore, "The Electronic Revolution" delves into the realm of consciousness and perception. Burroughs explores how technolog

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

1 year ago

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This clutters the internet with incomplete and inaccurate noise. You might as well post images of old TV static. I have under 43 Deviations in my 11 years on this website, because I curate and delete my worst pieces. Meanwhile AI prompters are posting about 8,000 a year *each*. This is killing DeviantArt and the internet more broadly as well.
[illustration for wii No More Heroes style with thick lines] This clutters the internet with incomplete and inaccurate noise. You might as well post images of old TV static. I have under 43 Deviations in my 11 years on this website, because I curate and delete my worst pieces. Meanwhile AI prompters are posting about 8,000 a year *each*. This is killing DeviantArt and the internet more broadly as well.
[no one] A glitchy video message on a smartphone screen, with fragmented words and disjointed images, symbolizing the call to adventure.the screen, a mix of curiosity and unease . [William S. Burroughs' "The Electronic Revolution" and Jack Kerouac's "On the Road." ]
enslavement choice we bends minds Society's realm roam In electronic In where shattered the mind it's Electronic or be beatnik devours Liberation forge chains your haze Control game A age depths let and stronghold navigate Burroughs the spin they beatnik the boundless electronic can of is collage technology into the us of let's play pieces
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
[art from Destination: Void, by Franck Herbert (1965)] Captain Bickel moves closer to the screen, scrutinizing the data. "How far back does this research go?" he asks, his fingers tracing the dates on the screen. "Are these recent failures, or are we talking about experiments from decades ago?" His question hangs in the air, the implications clear. You realize the research spans several decades, from the early days of AI development to more recent experiments. As you open your mouth to explain,
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
[Tilt-Shift Photography] The circuit board swam into soft focus through the lens, minute details piercing the blurred foreground and background. Golden traces connected components in miniature precision, fibers stretching taut as fairy-line across the substrate. Silicon chips clustered in pleasing arrangement, circuit diagrams etched upon them in intricate patterns too fine for the eye. Mushrooms colonized arrays with pin-prick precision, capped polypores blurring sockets packed with solder ball
[art by William S. Burroughs] The sky was the color of television, tuned to a dead channel
the iconic command deck of Destination: Void, by Franck Herbert (1965)
The last Cigarette
the iconic command deck of Destination: Void, by Franck Herbert (1965)
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