Placeholder: The exuberance of the faerie poised on hands and knees for the dance in cotton agent provocateur [vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed from a 1970 Italian VHS movie] The exuberance of the faerie poised on hands and knees for the dance in cotton agent provocateur [vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed from a 1970 Italian VHS movie]

@generalpha

Prompt

The exuberance of the faerie poised on hands and knees for the dance in cotton agent provocateur [vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed from a 1970 Italian VHS movie]

distorted image, malformed body, malformed fingers

20 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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The exuberance of the faerie poised on hands and knees for the dance in cotton agent provocateur [vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed from a 1970 Italian VHS movie]
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[Hunter Captures Elusive Fairy in Forest, May 18, 1889 - Sussex, England]
With a deep breath, dearie Fiona let herself be embraced by the water's embrace, her form becoming one with its liquid embrace. The feeling was ethereal, as if the lake itself was a conduit to another realm. She glided with a fluid grace, her movements a reflection of the dance she and Deery had shared in the forest. As the water enveloped her, Fiona's hair fanned out like strands of moonlit silver, creating an otherworldly halo around her. Her skin seemed to shimmer with a natural radiance
The exuberance of the faerie poised on hands and knees for the dance in cotton agent provocateur [vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed from a 1970 Italian VHS movie]
[bling art by mexican luchadora]Un pasito pa'delante, Maria Un, dos, tres Un pasito pa'atras Aunque me muera ahora, Maria
mariés au premier regard [vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed]
Aye, there she stood before me now, this wild wood nymph in mortal form. At my request she'd posed center-stage under the studio lights, a quiet stillness falling over her. Gone was the slip-away slyness of before; now she granted me her full visage. Head held high she stood, proud and true as an ancient oak. Her twilight braids near reached her hips, leaves and vines and forest spoils twined within. One arm wrapped herself as if in contemplation, whilst the other balanced upon a jutting hip. Th
[Hunter Captures Elusive Fairy in Forest, May 18, 1889 - Sussex, England]
[Hunter Captures Elusive Fairy in Forest, May 18, 1889 - Sussex, England] In a remarkable event, local hunter Thomas Whitaker has captured a fairy in the dense woodlands of Sussex. Whitaker ensnared the elusive creature during a routine hunt. The fairy, described as having delicate wings and an ethereal glow, is currently being interrogated, hoping to uncover the location of other fairies believed to be responsible for the recent disappearance of local children.
faerie young woman, Through the thick woods you stride, their splendor profound,Senses awash with grandeur, emotions tightly wound.Leaving home and loved ones, a painful farewell,But vengeance ignites within, a tale to tell.Determined you stand, seeking justice for your guide,Embarking on a journey where fate will decide.Thrills course through your veins, uncertainty in the air,A mix of emotions, a blend beyond compare.
[ancien Egypt, real photography] The climax of the dance approaches as Satiah's movements slow once again, transitioning into a graceful tableau. She raises her arms toward the heavens, her expression a mix of awe and reverence. Her dance has conveyed the cyclical nature of existence, the union of mortal and divine, and the profound connection between humanity and the gods. As the haunting melody of flutes and harps begins to play, Satiah enters the center of the room, her presence commanding at

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