Placeholder: Bell Beaker domestic ware has no predecessors in Bohemia and Southern Germany, shows no genetic relation to the local Late Copper Age Corded Ware, nor to other cultures in the area, and is considered something completely new. The Bell Beaker domestic ware of Southern Germany is not as closely related to the Corded Ware as would be indicated by their burial rites. Settlements link the Southern German Bell Beaker culture to the seven regional provinces of the Eastern Group, represented by many set Bell Beaker domestic ware has no predecessors in Bohemia and Southern Germany, shows no genetic relation to the local Late Copper Age Corded Ware, nor to other cultures in the area, and is considered something completely new. The Bell Beaker domestic ware of Southern Germany is not as closely related to the Corded Ware as would be indicated by their burial rites. Settlements link the Southern German Bell Beaker culture to the seven regional provinces of the Eastern Group, represented by many set

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Bell Beaker domestic ware has no predecessors in Bohemia and Southern Germany, shows no genetic relation to the local Late Copper Age Corded Ware, nor to other cultures in the area, and is considered something completely new. The Bell Beaker domestic ware of Southern Germany is not as closely related to the Corded Ware as would be indicated by their burial rites. Settlements link the Southern German Bell Beaker culture to the seven regional provinces of the Eastern Group, represented by many set

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

5 months ago

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SSD-1B

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In its early phase, the Bell Beaker culture can be seen as the western contemporary of the Corded Ware culture of Central Europe. From about 2400 BC the Beaker folk culture expanded eastwards, into the Corded Ware horizon.[6] In parts of Central and Eastern Europe, as far east as Poland, a sequence occurs from Corded Ware to Bell Beaker. This period marks a period of cultural contact in Atlantic and Western Europe following a prolonged period of relative isolation during the Neolithic.
Some elements show the influence from the north and east, and other elements reveal the south-east of France to be an important crossroad on an important route of communication and exchange spreading north. A distinctive 'barbed wire' pottery decoration is thought to have migrated through central Italy first. The pattern of movements was diverse and complicated, along the Atlantic coast and the northern Mediterranean coast, and sometimes also far inland. The prominent central role of Portugal in
Very early dates for Bell Beakers were found in Castelo Velho de Freixo de Numão in Guarda, central Portugal. The site was located on the summit of a spur. A short-lived first occupation of pre-Bell Beaker building phase at c. 3000 BC revealed the remains of a tower, some pavings, and structures for burning. After a break of one or two centuries, Bell Beaker pottery was introduced in a second building phase that lasted to the Early Bronze Age, c. 1800 BC. A third building phase followed directly
A creative collection of minimalist kitchen utensils with whimsical, impractical uses. There's a spatula shaped like a rocket ship, a rolling pin that transforms into a tiny car, a knife with a tiny sail, and an egg beater that turns into a helicopter. The utensils are designed with clean lines and simple shapes, adding a touch of humor to the otherwise functional kitchen setting.
Bell Beaker domestic ware has no predecessors in Bohemia and Southern Germany, shows no genetic relation to the local Late Copper Age Corded Ware, nor to other cultures in the area, and is considered something completely new. The Bell Beaker domestic ware of Southern Germany is not as closely related to the Corded Ware as would be indicated by their burial rites. Settlements link the Southern German Bell Beaker culture to the seven regional provinces of the Eastern Group, represented by many set
Some elements show the influence from the north and east, and other elements reveal the south-east of France to be an important crossroad on an important route of communication and exchange spreading north. A distinctive 'barbed wire' pottery decoration is thought to have migrated through central Italy first. The pattern of movements was diverse and complicated, along the Atlantic coast and the northern Mediterranean coast, and sometimes also far inland. The prominent central role of Portugal in
chaos, ancient, runes, evil, demonic: The full hilt of my messer. The quillons are made of railroad track, forged and ground. The Nageln (the nail that fixes the quillons or crossguards in place) is fashioned into a side ring for added protection. The twisted copper wire on the ends of the bone grip is actually woven into the tang under the bone and fixes the bone slabs in place surprisingly well.
Very early dates for Bell Beakers were found in Castelo Velho de Freixo de Numão in Guarda, central Portugal. The site was located on the summit of a spur. A short-lived first occupation of pre-Bell Beaker building phase at c. 3000 BC revealed the remains of a tower, some pavings, and structures for burning. After a break of one or two centuries, Bell Beaker pottery was introduced in a second building phase that lasted to the Early Bronze Age, c. 1800 BC. A third building phase followed directly
In its early phase, the Bell Beaker culture can be seen as the western contemporary of the Corded Ware culture of Central Europe. From about 2400 BC the Beaker folk culture expanded eastwards, into the Corded Ware horizon.[6] In parts of Central and Eastern Europe, as far east as Poland, a sequence occurs from Corded Ware to Bell Beaker. This period marks a period of cultural contact in Atlantic and Western Europe following a prolonged period of relative isolation during the Neolithic.
STEEL OF THE CELESTIAL SHADOWS DARUMA MATSUURA
[vivid Ancient Egypt] Sherden: Mercenaries of distant realms, the Sherden's shields bear marks etched by artisans' hands. Their battle cries, carried by the wind, are a testament to their nomadic spirit. Each step they take speaks of a warrior's resolve, an unwavering commitment to the path they have chosen.
Villalba-Mouco et al. (2021) analysed genome-wide data from 136 southern Iberian individuals dating from the Late Neolithic (3300 cal BCE) to the Late Bronze Age (1200/1000 cal BCE). They found that Bronze Age populations, including those from the El Argar culture were "shifted toward populations with steppe-related ancestry from central Europe" compared to preceding Copper Age groups. After 2100 cal BCE, all individuals from all sites carried steppe-related ancestry, in line with R1b-P312 [R1b-
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