Placeholder: an incredibly tall painted Kabyle pot with the shape of an mystical animal in the jungle of an oasis an incredibly tall painted Kabyle pot with the shape of an mystical animal in the jungle of an oasis

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@generalpha

Prompt

an incredibly tall painted Kabyle pot with the shape of an mystical animal in the jungle of an oasis

distorted image, malformed body, malformed fingers

4 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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an incredibly tall painted Kabyle pot with the shape of an mystical animal
In its early phase, the Bell Beaker culture can be seen as the western contemporary of the Corded Ware culture of Central Europe. From about 2400 BC the Beaker folk culture expanded eastwards, into the Corded Ware horizon.[6] In parts of Central and Eastern Europe, as far east as Poland, a sequence occurs from Corded Ware to Bell Beaker. This period marks a period of cultural contact in Atlantic and Western Europe following a prolonged period of relative isolation during the Neolithic.
you press on her entrance, her jungle, her mound, and she likes it
In the heart of a pyramid, the mummy of an Egyptian queen, the ancient aunt of Nefertiti, is ensnared within a gleaming bottle on the temple floor. Illuminated by a radiant ray of light, the bottle dazzles with intricate detail, reflecting the mummy-queen's bandages with exquisite precision. The aura surrounding the bottle whispers of a majestic era long past, resonating with the opulence and power of ancient Egypt. Hieroglyphs etched on the glass surface catch the light, weaving tales of a quee
Bell Beaker domestic ware has no predecessors in Bohemia and Southern Germany, shows no genetic relation to the local Late Copper Age Corded Ware, nor to other cultures in the area, and is considered something completely new. The Bell Beaker domestic ware of Southern Germany is not as closely related to the Corded Ware as would be indicated by their burial rites. Settlements link the Southern German Bell Beaker culture to the seven regional provinces of the Eastern Group, represented by many set
Ce type de bâton est l’emblème de la société yona (voleurs rituels). Chaque famille dogon a son voleur rituel. La principale activité de cette société est d’intervenir lors des funérailles de l’un de ses membres, volant des animaux domestiques afin de les sacrifier et de s’en nourrir au cours de la cérémonie funéraire. Ce bâton de voleur, appelé yo domolo, est sculpté de chevrons symbolisant la pluie et le serpent lebe, ancêtre mythique source de fertilité. L’extrémité évoque la tête d’un cheval
TUT TUL Thast leadons
[photo by Ross Halfin] you press on her entrance, her jungle, her mound, and she likes it
In its early phase, the Bell Beaker culture can be seen as the western contemporary of the Corded Ware culture of Central Europe. From about 2400 BC the Beaker folk culture expanded eastwards, into the Corded Ware horizon.[6] In parts of Central and Eastern Europe, as far east as Poland, a sequence occurs from Corded Ware to Bell Beaker. This period marks a period of cultural contact in Atlantic and Western Europe following a prolonged period of relative isolation during the Neolithic.
Bell Beaker domestic ware has no predecessors in Bohemia and Southern Germany, shows no genetic relation to the local Late Copper Age Corded Ware, nor to other cultures in the area, and is considered something completely new. The Bell Beaker domestic ware of Southern Germany is not as closely related to the Corded Ware as would be indicated by their burial rites. Settlements link the Southern German Bell Beaker culture to the seven regional provinces of the Eastern Group, represented by many set
[vivid Ancient Egypt] Sherden: Mercenaries of distant realms, the Sherden's shields bear marks etched by artisans' hands. Their battle cries, carried by the wind, are a testament to their nomadic spirit. Each step they take speaks of a warrior's resolve, an unwavering commitment to the path they have chosen.
[Ancient Egypt, Mycenaean, man, woman] denyen: Towering figures, their armor adorned with symbols of prowess, lead the charge. Feathers crown their heads, a testament to their connection with the skies. As they advance, their strides echo the rhythms of distant lands, the echoes of battles fought and won resonating in every step.
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