Placeholder: Bell Beaker domestic ware has no predecessors in Bohemia and Southern Germany, shows no genetic relation to the local Late Copper Age Corded Ware, nor to other cultures in the area, and is considered something completely new. The Bell Beaker domestic ware of Southern Germany is not as closely related to the Corded Ware as would be indicated by their burial rites. Settlements link the Southern German Bell Beaker culture to the seven regional provinces of the Eastern Group, represented by many set Bell Beaker domestic ware has no predecessors in Bohemia and Southern Germany, shows no genetic relation to the local Late Copper Age Corded Ware, nor to other cultures in the area, and is considered something completely new. The Bell Beaker domestic ware of Southern Germany is not as closely related to the Corded Ware as would be indicated by their burial rites. Settlements link the Southern German Bell Beaker culture to the seven regional provinces of the Eastern Group, represented by many set

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Bell Beaker domestic ware has no predecessors in Bohemia and Southern Germany, shows no genetic relation to the local Late Copper Age Corded Ware, nor to other cultures in the area, and is considered something completely new. The Bell Beaker domestic ware of Southern Germany is not as closely related to the Corded Ware as would be indicated by their burial rites. Settlements link the Southern German Bell Beaker culture to the seven regional provinces of the Eastern Group, represented by many set

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

1 year ago

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SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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Bell Beaker domestic ware has no predecessors in Bohemia and Southern Germany, shows no genetic relation to the local Late Copper Age Corded Ware, nor to other cultures in the area, and is considered something completely new. The Bell Beaker domestic ware of Southern Germany is not as closely related to the Corded Ware as would be indicated by their burial rites. Settlements link the Southern German Bell Beaker culture to the seven regional provinces of the Eastern Group, represented by many set
an incredibly tall painted Kabyle pot with the shape of an mystical animal
chaos, ancient, runes, evil, demonic: The full hilt of my messer. The quillons are made of railroad track, forged and ground. The Nageln (the nail that fixes the quillons or crossguards in place) is fashioned into a side ring for added protection. The twisted copper wire on the ends of the bone grip is actually woven into the tang under the bone and fixes the bone slabs in place surprisingly well.
There it hung—silent, suspended in that pressurized vault of glass and carbon, coiled like a secret. They called it the Choral Maw, though none had heard it sing. A perfect circle of biological symmetry, surrounded by layers of pale petal-like flesh and polished ceramic scales, its inner folds revealed a haunting precision, as if carved for a purpose long forgotten. Some claimed it was an organ from a god-machine, others whispered of an ancient race that used resonance as language and faith.
In its early phase, the Bell Beaker culture can be seen as the western contemporary of the Corded Ware culture of Central Europe. From about 2400 BC the Beaker folk culture expanded eastwards, into the Corded Ware horizon.[6] In parts of Central and Eastern Europe, as far east as Poland, a sequence occurs from Corded Ware to Bell Beaker. This period marks a period of cultural contact in Atlantic and Western Europe following a prolonged period of relative isolation during the Neolithic.
Some elements show the influence from the north and east, and other elements reveal the south-east of France to be an important crossroad on an important route of communication and exchange spreading north. A distinctive 'barbed wire' pottery decoration is thought to have migrated through central Italy first. The pattern of movements was diverse and complicated, along the Atlantic coast and the northern Mediterranean coast, and sometimes also far inland. The prominent central role of Portugal in
[real life version of a Dr. Seuss] Inside the Fate of a marble
3, 4, 6, 8, 16, 26, 64, 82, 90, 118, 194, 214, 728, 842, 888
In its early phase, the Bell Beaker culture can be seen as the western contemporary of the Corded Ware culture of Central Europe. From about 2400 BC the Beaker folk culture expanded eastwards, into the Corded Ware horizon.[6] In parts of Central and Eastern Europe, as far east as Poland, a sequence occurs from Corded Ware to Bell Beaker. This period marks a period of cultural contact in Atlantic and Western Europe following a prolonged period of relative isolation during the Neolithic.
an incredibly tall painted Kabyle pot with the shape of an mystical animal in the jungle of an oasis
chaos, ancient, runes, evil, demonic: The full hilt of my messer. The quillons are made of railroad track, forged and ground. The Nageln (the nail that fixes the quillons or crossguards in place) is fashioned into a side ring for added protection. The twisted copper wire on the ends of the bone grip is actually woven into the tang under the bone and fixes the bone slabs in place surprisingly well.
Ce type de bâton est l’emblème de la société yona (voleurs rituels). Chaque famille dogon a son voleur rituel. La principale activité de cette société est d’intervenir lors des funérailles de l’un de ses membres, volant des animaux domestiques afin de les sacrifier et de s’en nourrir au cours de la cérémonie funéraire. Ce bâton de voleur, appelé yo domolo, est sculpté de chevrons symbolisant la pluie et le serpent lebe, ancêtre mythique source de fertilité. L’extrémité évoque la tête d’un cheval
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