Placeholder: me and a friend visiting the Museo Nacional Thyssen-Bornemisza me and a friend visiting the Museo Nacional Thyssen-Bornemisza

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@generalpha

Prompt

me and a friend visiting the Museo Nacional Thyssen-Bornemisza

24 days ago

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SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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In 1876, the Bourse de Paris was a hub of economic activity, a symbol of prosperity and progress. The grand building, adorned with intricate carvings and elegant architecture, stood as a testament to the power and influence of the financial world. Inside, amidst the opulent surroundings, traders frantically exchanged stocks, bonds, and commodities, their actions determining the fate of fortunes.
a fun greek party in the basement of a palace in Babylon: beds, music, dancers, animals, food, smiling kinds and queens
iconic Louis Hermès
World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
two women is a vision that stirs my soul, The Mount of Olives, with its ancient olive trees whispering tales of centuries past: In front of the hallowed sepulchre, two women standing in silent vigil. Their faces, etched with sorrow and resilience, mirror the timeless grief of the original Pietà, yet their presence speaks to a different narrative,
World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)
In 1876, the Bourse de Paris was a hub of economic activity, a symbol of prosperity and progress. The grand building, adorned with intricate carvings and elegant architecture, stood as a testament to the power and influence of the financial world. Inside, amidst the opulent surroundings, traders frantically exchanged stocks, bonds, and commodities, their actions determining the fate of fortunes.
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
Canova's reimagined Michelangelo's Pietà with two women is a vision that stirs my soul, The Mount of Olives, with its ancient olive trees whispering tales of centuries past: In front of the hallowed sepulchre, two women standing in silent vigil. Their faces, etched with sorrow and resilience, mirror the timeless grief of the original Pietà, yet their presence speaks to a different narrative, a story of sisterhood and solidarity in the face of adversity.
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
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