Placeholder: me and a friend visiting the Museo Nacional Thyssen-Bornemisza me and a friend visiting the Museo Nacional Thyssen-Bornemisza

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@generalpha

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me and a friend visiting the Museo Nacional Thyssen-Bornemisza

8 months ago

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SSD-1B

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7

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In 1876, the Bourse de Paris was a hub of economic activity, a symbol of prosperity and progress. The grand building, adorned with intricate carvings and elegant architecture, stood as a testament to the power and influence of the financial world. Inside, amidst the opulent surroundings, traders frantically exchanged stocks, bonds, and commodities, their actions determining the fate of fortunes.
After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: insane god/deiced art
A scene unfolds in ancient Rome, where a grand carousel of gladiators and gladiatrix spins under the sun over the arena. It's raining. The gladiators and the gladiatrix : men and women ride beasts and fantastic animals while the carousel moves with a hypnotic rhythm.
two women is a vision that stirs my soul, The Mount of Olives, with its ancient olive trees whispering tales of centuries past: In front of the hallowed sepulchre, two women standing in silent vigil. Their faces, etched with sorrow and resilience, mirror the timeless grief of the original Pietà, yet their presence speaks to a different narrative,
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
a fun greek party in the basement of a palace in Babylon: beds, music, dancers, animals, food, smiling kinds and queens
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
A scene unfolds in ancient Rome, where a grand carousel of gladiators and gladiatrix spins amidst the cheers of the crowd. The sun sets over the Colosseum, casting a golden glow on the fierce fighters as they whirl past on their majestic steeds. The gladiators, clad in shining armor, wield their weapons with practiced skill, their eyes fierce and determined. The gladiatrix, with flowing robes and weapons in hand, exude a fierce grace as they ride alongside their male counterparts. The carousel
In 1876, the Bourse de Paris was a hub of economic activity, a symbol of prosperity and progress. The grand building, adorned with intricate carvings and elegant architecture, stood as a testament to the power and influence of the financial world. Inside, amidst the opulent surroundings, traders frantically exchanged stocks, bonds, and commodities, their actions determining the fate of fortunes.
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
iconic Louis Hermès
Canova's reimagined Michelangelo's Pietà with two women is a vision that stirs my soul, The Mount of Olives, with its ancient olive trees whispering tales of centuries past: In front of the hallowed sepulchre, two women standing in silent vigil. Their faces, etched with sorrow and resilience, mirror the timeless grief of the original Pietà, yet their presence speaks to a different narrative, a story of sisterhood and solidarity in the face of adversity.
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