Placeholder: Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline

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Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

1 year ago

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SSD-1B

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7

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Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
SNIFFIN’ GLUE magazine high res photo cover by Iwan Baan: special fancy architectures; guest building : The Magnificent Melodia Museum by Thaddeus Worthington-Smythe III
two queues of clients on both sides of a counter
In Room F63, the young scientist Alice Barton, surrounded by alien flora and fauna, observed the rapid growth and evolution of the exotic specimens under the cyfflon lights. Her task involved measuring and recording the diverse occupants in meticulous detail on the psi-screen. As she pondered the possibility of future participants facing the same challenge, the enigmatic nature of the room's inhabitants hinted at a tapestry of mysteries waiting to be unraveled by curious minds like hers.
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
me and a friend visiting the Museo Nacional Thyssen-Bornemisza
[fractal art: Mandelbulb 3d] [zoom at the floral mosaic] the floral mosaics at Sheikh Zayed Grand Mosque. [art by Kevin Dean]
the material form is no different from the void of shapeless emptiness; the material form is the same as emptiness, and emptiness the same as the material form.
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
photo-realistic and highly detailed, weird but also humorous, this big room sees very cute girl in neo-dada outfit playing alien creatures in a 4D psionic competition. It is a playroom with surreal boho wall art, white, black, mustard, lime green, indigo geometric paintings, abstract sci-fi dream aesthetic
two queues of clients on both sides of a counter
[fractal art: Apophysis] [zoom at the floral mosaic] the floral mosaics at Sheikh Zayed Grand Mosque. [art by Kevin Dean]
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