Placeholder: Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline

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Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

2 years ago

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SSD-1B

Guidance Scale

7

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1024 × 1024

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Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
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[art by Beeple] the longest toilet paper in the world, in Charlie's chocolate factory
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
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this photo Explores how brightness contrasts with shadow [psychedelic high res photo by Ralph Steadman] Light Against the Dark on a levitating intricated and sophisticated 3D metal piece over a pane
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Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
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