Placeholder: a fun greek party in the basement of a palace in Babylon: beds, music, dancers, animals, food, smiling kinds and queens a fun greek party in the basement of a palace in Babylon: beds, music, dancers, animals, food, smiling kinds and queens

@generalpha

Prompt

a fun greek party in the basement of a palace in Babylon: beds, music, dancers, animals, food, smiling kinds and queens

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

3 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1280 × 720

Similar

[art by Frank Frazetta] a greek party in the basement of a palace in Babylon: music, dancers, beds, food, smiling kinds and queens
World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)
[ancien Egypt, real photography] The climax of the dance approaches as Satiah's movements slow once again, transitioning into a graceful tableau. She raises her arms toward the heavens, her expression a mix of awe and reverence. Her dance has conveyed the cyclical nature of existence, the union of mortal and divine, and the profound connection between humanity and the gods. As the haunting melody of flutes and harps begins to play, Satiah enters the center of the room, her presence commanding at
World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)
The starship bridge transforms into a stage, where characters from different dimensions converge. Suddenly, the woman finds herself surrounded by a troupe of Shakespearean actors, reciting lines from Macbeth. The air crackles with the energy of the Bard's words, intertwining with the hum of the starship's engines. The crew members, once confined to their scripted roles, become aware of their existence within a novel. They question their purpose, their existence, and the very nature of storytelli
[art by Frank Frazetta] a greek party in the basement of a palace in Babylon.
[light candles, pyramid, mummy] Your will succumbs to the mummy's dominion over life and death. Where once lingered a soul of royal pride,now an abyssmal hunger for domination fills its hollow gaze. "You have served your purpose, mortal, by freeing me from spiritual prison.Now you belong to the eternal night, an immortal sentinel forever at my side." The pharaoh's withered hands extend,filling your vision with the decaying visage of your new master. Shadows take form at its command,wrapping your
[the time of Jesus] close to the old town of Nazareth, a view on the Lake of Genesareth. a young woman in linen dress, she has her wooden rod she looks at the people down around the shore
[ancien Egypt, real photography, pharaoh's throne room in background] The dance begins with slow, deliberate movements that mirror the rising sun over the horizon. Satiah's arms unfurl like delicate petals, capturing the essence of the lotus, a symbol of creation and rebirth. Her fingers trace intricate patterns in the air, evoking the cosmic dance of the heavens, where gods and stars move in a harmonious choreography. As the music's tempo quickens, Satiah's dance becomes more energetic and dyn
As she sits there, the weight of her victories and the burden of her quest pressing upon her shoulders, she feels the ancient whispers of the forgotten throne room reaching out to her. The spirits of the fallen kings and queens who once ruled this land seem to stir in the shadows, their presence a haunting reminder of the sacrifices made in the name of honor and glory.
[the time of Jesus] close to the old town of Nazareth, a view on the Lake of Genesareth. a young woman in linen dress, she has her wooden rod she looks at the people down around the shore
The starship bridge transforms into a stage, where characters from different dimensions converge. Suddenly, the woman finds herself surrounded by a troupe of Shakespearean actors, reciting lines from Macbeth. The air crackles with the energy of the Bard's words, intertwining with the hum of the starship's engines. The crew members, once confined to their scripted roles, become aware of their existence within a novel. They question their purpose, their existence, and the very nature of storytelli

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