Placeholder: a fun greek party in the basement of a palace in Babylon: beds, music, dancers, animals, food, smiling kinds and queens a fun greek party in the basement of a palace in Babylon: beds, music, dancers, animals, food, smiling kinds and queens

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@generalpha

Prompt

a fun greek party in the basement of a palace in Babylon: beds, music, dancers, animals, food, smiling kinds and queens

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

1 year ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1280 × 720

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[colour high res photo: Jason and the Argonauts (1963) n the eerie glow of a dimly lit comedy club, the stage was set for a performance unlike any other. The audience, a mix of the living and the undead, eagerly awaited the arrival of the stand-up artist who had risen from the grave to deliver his twisted brand of humor. As the spotlight flickered to life, revealing a figure clad in tattered clothes and sporting a ghostly pallor, the crowd erupted in a mix of laughter and nervous anticipation.
Two figures standing close in a softly lit room, early 20th-century Viennese apartment, minimal furnishings, subdued colors, faces turned slightly away from each other, shared silence more important than gesture, emotional intensity held in restraint, sense of ethical and emotional experimentation, intimacy without sentimentality, modernist tone, delicate balance between closeness and distance
[colour high res photo: Night of the Living Dead (1968) by Romero] n the pulsating heart of the underworld, where the line between the living and the dead blurred, there existed a disco dancing floor like no other. The stage was set for a performance that defied the boundaries of time and space, a spectacle that drew the attention of both the departed and the living. As the ethereal lights flickered to life, casting a kaleidoscope of colors across the dance floor, a figure emerged from the shad
timeline illustration by Gustave Doré of angels and demons according to the bible from the Genesis to the Apocalypse. timeline illustration of evolution of timeline of angels and demons evolution of timeline of angels and demons evolution of timeline of angels and demons
[art by Frank Frazetta] a greek party in the basement of a palace in Babylon: music, dancers, beds, food, smiling kinds and queens
Two figures standing close in a softly lit room, early 20th-century Viennese apartment, minimal furnishings, subdued colors, faces turned slightly away from each other, shared silence more important than gesture, emotional intensity held in restraint, sense of ethical and emotional experimentation, intimacy without sentimentality, modernist tone, delicate balance between closeness and distance
SCENE V. Elsinore. A room in the Castle. Enter Queen, Horatio and a Gentleman.
the space odyssey of a fictional unspoken trader ventures not only into the West African kingdom of Dahomey but also into the surreal realms of the palace of immortality. Here, the probabilities of time converge, offering a view of existence through the lens of science fiction. The rich and vibrant setting of The Viceroy of Ouidah intertwines with cosmic mysteries.
the iconic scene of coronation of Sissi - Die junge Kaiserin (1956)
In ancient Rome, a Roman celebration unfolds in a grand hall, where gladiatrix, dancers, animals, and a clown come together in a wild celebration. The air is thick with the scent of exotic perfumes and the sounds of laughter and music fill the space.
The starship bridge transforms into a stage, where characters from different dimensions converge. Suddenly, the woman finds herself surrounded by a troupe of Shakespearean actors, reciting lines from Macbeth. The air crackles with the energy of the Bard's words, intertwining with the hum of the starship's engines. The crew members, once confined to their scripted roles, become aware of their existence within a novel. They question their purpose, their existence, and the very nature of storytelli
[very impressive high res masterpiece in Kodak Eastman 5247, bokeh scene by Stanley Kubrick] Shaolin gangs monk waiting outside, in the doorstep of a stone temple
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