Placeholder: a fun greek party in the basement of a palace in Babylon: beds, music, dancers, animals, food, smiling kinds and queens a fun greek party in the basement of a palace in Babylon: beds, music, dancers, animals, food, smiling kinds and queens

@generalpha

Prompt

a fun greek party in the basement of a palace in Babylon: beds, music, dancers, animals, food, smiling kinds and queens

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

10 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1280 × 720

Similar

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The starship bridge transforms into a stage, where characters from different dimensions converge. Suddenly, the woman finds herself surrounded by a troupe of Shakespearean actors, reciting lines from Macbeth. The air crackles with the energy of the Bard's words, intertwining with the hum of the starship's engines. The crew members, once confined to their scripted roles, become aware of their existence within a novel. They question their purpose, their existence, and the very nature of storytelli
[ancien Egypt, real photography, pharaoh's throne room in background] The dance begins with slow, deliberate movements that mirror the rising sun over the horizon. Satiah's arms unfurl like delicate petals, capturing the essence of the lotus, a symbol of creation and rebirth. Her fingers trace intricate patterns in the air, evoking the cosmic dance of the heavens, where gods and stars move in a harmonious choreography. As the music's tempo quickens, Satiah's dance becomes more energetic and dyn
[an alluring 30 years old woman] goddess Aphrodite is a living being in flesh, she walks in linen tunic in the new Pinault Collection Museum, with olive green laurels leafs in her hear, she is lost and sad
[art by Frank Frazetta] a greek party in the basement of a palace in Babylon: music, dancers, beds, food, smiling kinds and queens
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World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)
As she sits there, the weight of her victories and the burden of her quest pressing upon her shoulders, she feels the ancient whispers of the forgotten throne room reaching out to her. The spirits of the fallen kings and queens who once ruled this land seem to stir in the shadows, their presence a haunting reminder of the sacrifices made in the name of honor and glory.
[colour high res photo: Night of the Living Dead (1968) by Romero] n the pulsating heart of the underworld, where the line between the living and the dead blurred, there existed a disco dancing floor like no other. The stage was set for a performance that defied the boundaries of time and space, a spectacle that drew the attention of both the departed and the living. As the ethereal lights flickered to life, casting a kaleidoscope of colors across the dance floor, a figure emerged from the shad
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[art by Frank Frazetta] a greek party in the basement of a palace in Babylon.
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