Placeholder: After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: insane god/deiced art After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: insane god/deiced art

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After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: insane god/deiced art

distorted image, malformed body, malformed fingers

22 days ago

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SSD-1B

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7

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1024 × 1024

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After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: insane god/deiced art over a volcano
After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: insane god/deicide art over a volcano
Canova's reimagined Michelangelo's Pietà with two women is a vision that stirs my soul, The Mount of Olives, with its ancient olive trees whispering tales of centuries past: In front of the hallowed sepulchre, two women standing in silent vigil. Their faces, etched with sorrow and resilience, mirror the timeless grief of the original Pietà, yet their presence speaks to a different narrative, a story of sisterhood and solidarity in the face of adversity.
[Polaroid Land Camera 1947] The Winged Victory of Samothrace, as a true Greek woman in flesh, emanates a captivating blend of strength, grace, and divine beauty. Her flowing golden hair, captivating eyes, and delicate features embody an ageless allure. Adorned in flowing garments, she spreads her wings with elegance and power, symbolizing the indomitable spirit of the Greek people. A living embodiment of Greek culture and mythology, she stands as a timeless inspiration for generations to come.
After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: insane god/deicide art over a volcano
After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: insane god/deiced art over a volcano
[real model in flesh] Cupid, the embodiment of desire and passion, is depicted with youthful vigor and graceful movements. His form exudes an otherworldly energy, with its sculpted muscles and gentle curves combining to create an ethereal beauty. By Cupid's side stands Psyche, a mortal maiden who captured his heart. Canova skillfully sculpts her delicate figure, capturing her innocence and vulnerability. Psyche's features, adorned with an air of tenderness, are complemented by flowing drapery th
[real model in flesh] Standing alongside Cupid is Psyche, the mortal maiden who captivated his heart. her delicate figure, is infused with an air of innocence and vulnerability. Psyche's tender features and flowing drapery evoke a sense of delicate elegance, while her gaze, filled with a mix of enchantment and trepidation, reveals the depth of her emotions. Cupid and Psyche are intertwined in a tender embrace, their bodies entwined in a dance of love and desire. The contours of their forms, meti
After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: Darina (dianna_dia79) Assembled from two photos, both mine
Canova that re-imagines Michelanglo's Pietà with two women
statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn
[real model in flesh] Cupid, the embodiment of desire and passion, is depicted with youthful vigor and graceful movements. His form exudes an otherworldly energy, with its sculpted muscles and gentle curves combining to create an ethereal beauty. By Cupid's side stands Psyche, a mortal maiden who captured his heart. Canova skillfully sculpts her delicate figure, capturing her innocence and vulnerability. Psyche's features, adorned with an air of tenderness, are complemented by flowing drapery th
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