Placeholder: [photo from collection gilman and gonzalez-FALLA] [photo from collection gilman and gonzalez-FALLA]

@generalpha

Prompt

[photo from collection gilman and gonzalez-FALLA]

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

1 year ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[photo from collection gilman and gonzalez-FALLA]
World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)
The year was 1967. One fateful evening, Jack found himself at an underground groovy club in the vibrant beat of the counterculture reverberated, Surrounded by the pulsating music and hypnotic lights, he felt the unmistakable surge of energy that united them all.
[1979 in Heavy Metal Magazine Vol. 2, #10 by Philippe Caza] "A map is not just a guide, it's a promise to forge a path forward." - the journey is more important than the destination - The Map and the Territory
World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)
[colour high res photo: Jason and the Argonauts (1963) n the eerie glow of a dimly lit comedy club, the stage was set for a performance unlike any other. The audience, a mix of the living and the undead, eagerly awaited the arrival of the stand-up artist who had risen from the grave to deliver his twisted brand of humor. As the spotlight flickered to life, revealing a figure clad in tattered clothes and sporting a ghostly pallor, the crowd erupted in a mix of laughter and nervous anticipation.
dungeon module B3: palace of the silver princess, by Tom Moldvay and Jean Wells (1981) introduction module for characters levels 1-3
drawing by artist Otto Rapp: souvenirs of Babel
[photo from collection gilman and gonzalez-FALLA]
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] The Tharks were having their hands full in the center of the room, and | began to realize that nothing short of a miracle could save Dejah Thoris and myself, when | saw Tars Tarkas surging through the crowd of pygmies that swarmed about him. With one swing of his mighty long-sword he laid a dozen corpses at his feet, and so he hewed a pathway before him until in another moment he stood upon the platform b
[colour high res photo: Night of the Living Dead (1968) by Romero] n the pulsating heart of the underworld, where the line between the living and the dead blurred, there existed a disco dancing floor like no other. The stage was set for a performance that defied the boundaries of time and space, a spectacle that drew the attention of both the departed and the living. As the ethereal lights flickered to life, casting a kaleidoscope of colors across the dance floor, a figure emerged from the shad
[Jesus Christ] Sur... a psychological thriller... cop Dali from Hitchcock... mix in a little World War II... sure... surreal events in an occupied town... man sees ancient soldier hiding in abandoned home... "Twillight Zone." Now... what do they look like? No! Did that before-- What? No, not that way! Damn deadlines. Setting me off completely. Too much pressure. Mixing up the scenes! Too much coffee. That's it. Damn freezed-dried stuff! What's that? No! You didn't want any jungle queens! Now wai

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