Placeholder: [very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] The Tharks were having their hands full in the center of the room, and | began to realize that nothing short of a miracle could save Dejah Thoris and myself, when | saw Tars Tarkas surging through the crowd of pygmies that swarmed about him. With one swing of his mighty long-sword he laid a dozen corpses at his feet, and so he hewed a pathway before him until in another moment he stood upon the platform b [very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] The Tharks were having their hands full in the center of the room, and | began to realize that nothing short of a miracle could save Dejah Thoris and myself, when | saw Tars Tarkas surging through the crowd of pygmies that swarmed about him. With one swing of his mighty long-sword he laid a dozen corpses at his feet, and so he hewed a pathway before him until in another moment he stood upon the platform b

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[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] The Tharks were having their hands full in the center of the room, and | began to realize that nothing short of a miracle could save Dejah Thoris and myself, when | saw Tars Tarkas surging through the crowd of pygmies that swarmed about him. With one swing of his mighty long-sword he laid a dozen corpses at his feet, and so he hewed a pathway before him until in another moment he stood upon the platform b

distorted image, malformed body, malformed fingers

7 hours ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1248 × 832

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[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] The Tharks were having their hands full in the center of the room, and | began to realize that nothing short of a miracle could save Dejah Thoris and myself, when | saw Tars Tarkas surging through the crowd of pygmies that swarmed about him. With one swing of his mighty long-sword he laid a dozen corpses at his feet, and so he hewed a pathway before him until in another moment he stood upon the platform b
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] As Arjuna and Duryodhana stand shoulder to shoulder, facing the same wooden target in the archery contest, their skills as archers are undeniable. Both warriors possess remarkable talent and prowess with the bow, each capable of hitting their mark with precision and power. Arjuna's form is impeccable, his arrows flying true and striking the target with effortless grace. His mastery of archery shines brigh
[1960’s colour stop-motion animation style on the battlefield ] a 70s advertisement video TV featuring a fight begins with great intensity.The barbarian warrior uses her weapons hitting the monster severely ripping pieces of her grotesque and monstrous foe. but the monster is very strong and does not let himself be killed.he attacks with deadly fury the barbara warrior and manages to grab her embracing her with his distorted and very strong arms, full of rigid muscles.he hugs her very tightly
[photo from collection gilman and gonzalez-FALLA]
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] On reaching it the chariots were parked with military precision on the four sides of the enclosure, and half a score of warriors, headed by the enormous chieftain, and including Tars Tarkas and several other lesser chiefs, dismounted and advanced toward it. | could see Tars Tarkas explaining something to the principal chieftain, whose name, by the way, was, as nearly as | can translate it into English, Lo
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] As Arjuna and Duryodhana stand shoulder to shoulder, facing the same wooden target in the archery contest, their skills as archers are undeniable. Both warriors possess remarkable talent and prowess with the bow, each capable of hitting their mark with precision and power. Arjuna's form is impeccable, his arrows flying true and striking the target with effortless grace. His mastery of archery shines brigh
three sorceresses [high res photo of three women by Helmut Newton] in the flickering torchlight of the medieval tavern, three enchanting sorceresses stood side by side, their mystical auras shimmering with an otherworldly allure. Clad in flowing robes that accentuated their every movement, they exuded an air of command that silenced the rowdy patrons. Each of them possessed an undeniable presence, their gazes cutting through the haze of smoke and ale, demanding respect.
[photo from collection gilman and gonzalez-FALLA]
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] As Arjuna and Duryodhana stand shoulder to shoulder, facing the same wooden target in the archery contest, their skills as archers are undeniable. Both warriors possess remarkable talent and prowess with the bow, each capable of hitting their mark with precision and power. Arjuna's form is impeccable, his arrows flying true and striking the target with effortless grace. His mastery of archery shines brigh
[high res photo by aWilliam S. Burroughs' "The Electronic Revolution" and Jack Kerouac's "On the Road"] the back of the Barbarian female warrior who is ready to fight: In the center of the chamber, looming over everything, is a creature that defies description. Its body is a grotesque amalgamation of flesh and bone, twisted and deformed by some unspeakable evil. Its eyes are burning coals, filled with an insatiable hunger that threatens to consume everything in its path. The beast lets out a bon
World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)
[art by Frank Frazetta] a greek party in the basement of a palace in Babylon: music, dancers, beds, food, smiling kinds and queens
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