Placeholder: The year was 1967. One fateful evening, Jack found himself at an underground groovy club in the vibrant beat of the counterculture reverberated, Surrounded by the pulsating music and hypnotic lights, he felt the unmistakable surge of energy that united them all. The year was 1967. One fateful evening, Jack found himself at an underground groovy club in the vibrant beat of the counterculture reverberated, Surrounded by the pulsating music and hypnotic lights, he felt the unmistakable surge of energy that united them all.

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Prompt

The year was 1967. One fateful evening, Jack found himself at an underground groovy club in the vibrant beat of the counterculture reverberated, Surrounded by the pulsating music and hypnotic lights, he felt the unmistakable surge of energy that united them all.

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

1 year ago

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SSD-1B

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7

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1024 × 1024

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[colour high res photo: Night of the Living Dead (1968) by Romero n the eerie glow of a dimly lit comedy club, the stage was set for a performance unlike any other. The audience, a mix of the living and the undead, eagerly awaited the arrival of the stand-up artist who had risen from the grave to deliver his twisted brand of humor. As the spotlight flickered to life, revealing a figure clad in tattered clothes and sporting a ghostly pallor, the crowd erupted in a mix of laughter and nervous an
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[photo from collection gilman and gonzalez-FALLA]
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[colour high res photo: Night of the Living Dead (1968) by Romero n the eerie glow of a dimly lit comedy club, the stage was set for a performance unlike any other. The audience, a mix of the living and the undead, eagerly awaited the arrival of the stand-up artist who had risen from the grave to deliver his twisted brand of humor. As the spotlight flickered to life, revealing a figure clad in tattered clothes and sporting a ghostly pallor, the crowd erupted in a mix of laughter and nervous an
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« Shinjuku Station, Tokyo, 1962 ». Estate of Y. Hiro Wakabayashi
It's your world and I'm just a squirrel Tryna get a nut to move your bottom To the dance floor, so yo what's up Hands in the air, come on, say "Yeah" Everybody over here, everybody over there The crowd is live and I pursue this groove Party people in the house, move (Make me feel right) GrooveNo matter how I dodge some jackal always nails me No matter what the plot And even out on tour they be like
[photo from collection gilman and gonzalez-FALLA]
They spoke of the transformative power of words, the need to challenge societal norms, and the responsibility of artists to provoke change. In the sanctuary of the smoky bar, they found solace in their shared vision of a world reborn, where the groovy '60s became a catalyst for revolution, not just in society but within themselves. Together, they vowed to continue their journey, to push boundaries, challenge the status quo, and capture the essence of their era. The groovy '60s were not just a fl

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