Placeholder: [colour high res photo: Night of the Living Dead (1968) by Romero] n the pulsating heart of the underworld, where the line between the living and the dead blurred, there existed a disco dancing floor like no other. The stage was set for a performance that defied the boundaries of time and space, a spectacle that drew the attention of both the departed and the living. As the ethereal lights flickered to life, casting a kaleidoscope of colors across the dance floor, a figure emerged from the shad [colour high res photo: Night of the Living Dead (1968) by Romero] n the pulsating heart of the underworld, where the line between the living and the dead blurred, there existed a disco dancing floor like no other. The stage was set for a performance that defied the boundaries of time and space, a spectacle that drew the attention of both the departed and the living. As the ethereal lights flickered to life, casting a kaleidoscope of colors across the dance floor, a figure emerged from the shad

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[colour high res photo: Night of the Living Dead (1968) by Romero] n the pulsating heart of the underworld, where the line between the living and the dead blurred, there existed a disco dancing floor like no other. The stage was set for a performance that defied the boundaries of time and space, a spectacle that drew the attention of both the departed and the living. As the ethereal lights flickered to life, casting a kaleidoscope of colors across the dance floor, a figure emerged from the shad

distorted image, malformed body, malformed fingers

5 months ago

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SSD-1B

Guidance Scale

7

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1024 × 1024

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[colour high res photo: Night of the Living Dead (1968) by Romero] In a climactic moment, intricate pipes appear, twisting and turning in a maze of complexity. Characters watch in awe as the pipes emit a harmonious hum, resonating with inexplicable power. Each pipe is adorned with ornate engravings and pulsating lights, forming a mesmerizing sight.
a fun greek party in the basement of a palace in Babylon: beds, music, dancers, animals, food, smiling kinds and queens
[high res photo by helmut newton] As the night falls and shadows lengthen, the campus is transformed into a playground of forbidden desires and secret fantasies. The women and their minions navigate this world of power and submission with a sense of purpose and freedom, each fulfilling their role in this intricate dance of dominance.
[colour high res photo: Night of the Living Dead (1968) by Romero n the eerie glow of a dimly lit comedy club, the stage was set for a performance unlike any other. The audience, a mix of the living and the undead, eagerly awaited the arrival of the stand-up artist who had risen from the grave to deliver his twisted brand of humor. As the spotlight flickered to life, revealing a figure clad in tattered clothes and sporting a ghostly pallor, the crowd erupted in a mix of laughter and nervous an
[colour high res photo: Night of the Living Dead (1968) by Romero n the eerie glow of a dimly lit comedy club, the stage was set for a performance unlike any other. The audience, a mix of the living and the undead, eagerly awaited the arrival of the stand-up artist who had risen from the grave to deliver his twisted brand of humor. As the spotlight flickered to life, revealing a figure clad in tattered clothes and sporting a ghostly pallor, the crowd erupted in a mix of laughter and nervous an
My baby's always dancin' And wouldn't be a bad thing But I don't get no lovin' And that's no lie We spent the night in Frisco At every kind of disco From that night I kissed our love goodbye
[photo from collection gilman and gonzalez-FALLA]
[art by Kevin Eastman and Peter Laird] A surprised Niger sublime dancer woman, 24-years-old wearing a white and green one-piece swimsuit , dancing gracefully with a walking orchestra, the overcast sky in the background, vintage 1980's photo
[colour high res photo: Jason and the Argonauts (1963) n the eerie glow of a dimly lit comedy club, the stage was set for a performance unlike any other. The audience, a mix of the living and the undead, eagerly awaited the arrival of the stand-up artist who had risen from the grave to deliver his twisted brand of humor. As the spotlight flickered to life, revealing a figure clad in tattered clothes and sporting a ghostly pallor, the crowd erupted in a mix of laughter and nervous anticipation.
the iconic scene of coronation of Sissi - Die junge Kaiserin (1956)
a nudist camp in the 70s, with a psychedelic twist. Imagine a groovy commune nestled in the heart of nature, where people roam freely in their natural state, adorned with vibrant flower crowns and bell-bottoms. The air is filled with the scent of incense and freedom, as the sun-kissed bodies dance to the tunes of rock 'n' roll echoing through the trees.
In a world painted in audacious hues, where even the mundane hums with a vibrant, almost operatic pulse, there is a moment of stolen, tender choreography. The scene: a mechanic's garage, typically a realm of grease and grit. Yet, under Jacques Demy's artful eye and Michel Legrand's soaring score, it transforms into an impromptu ballroom.
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