Placeholder: [art from Destination: Void, by Franck Herbert (1965)] "We're walking a tightrope here. Too many safeguards and we risk crippling its ability to function effectively. Too few and we're gambling with the lives of everyone on this ship." She stops, turning to face you directly. "But I agree, simply chaining the artificial General Intelligence with internal restraints isn't the answer. We need a more nuanced approach. [art from Destination: Void, by Franck Herbert (1965)] "We're walking a tightrope here. Too many safeguards and we risk crippling its ability to function effectively. Too few and we're gambling with the lives of everyone on this ship." She stops, turning to face you directly. "But I agree, simply chaining the artificial General Intelligence with internal restraints isn't the answer. We need a more nuanced approach.

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[art from Destination: Void, by Franck Herbert (1965)] "We're walking a tightrope here. Too many safeguards and we risk crippling its ability to function effectively. Too few and we're gambling with the lives of everyone on this ship." She stops, turning to face you directly. "But I agree, simply chaining the artificial General Intelligence with internal restraints isn't the answer. We need a more nuanced approach.

7 months ago

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[art from Destination: Void, by Franck Herbert (1965)] "We're walking a tightrope here. Too many safeguards and we risk crippling its ability to function effectively. Too few and we're gambling with the lives of everyone on this ship." She stops, turning to face you directly. "But I agree, simply chaining the artificial General Intelligence with internal restraints isn't the answer. We need a more nuanced approach.
[art from Destination: Void, by Franck Herbert (1965)] "We're walking a tightrope here. Too many safeguards and we risk crippling its ability to function effectively. Too few and we're gambling with the lives of everyone on this ship." She stops, turning to face you directly. "But I agree, simply chaining the artificial General Intelligence with internal restraints isn't the answer. We need a more nuanced approach.
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
“Un de ces longs bras glissa par l’ouverture”Alphonse de Neuville (1835-1885) - Long Arm GlidedIllustration from Jules Verne’s “Twenty thousand leagues under the sea”, 1870
[art from Destination: Void, by Franck Herbert (1965)] "We're walking a tightrope here. Too many safeguards and we risk crippling its ability to function effectively. Too few and we're gambling with the lives of everyone on this ship." She stops, turning to face you directly. "But I agree, simply chaining the artificial General Intelligence with internal restraints isn't the answer. We need a more nuanced approach.
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
“Un de ces longs bras glissa par l’ouverture”Alphonse de Neuville (1835-1885) - Long Arm GlidedIllustration from Jules Verne’s “Twenty thousand leagues under the sea”, 1870
[art from Destination: Void, by Franck Herbert (1965)] Dr. Weygand speaks up, her voice measured but firm. "The ethical implications of this proposal are staggering. We'd be creating sentient beings, then discarding them based on some subjective notion of benevolence." She looks at you, her expression grave.
[art from Destination: Void, by Franck Herbert (1965)] "We're walking a tightrope here. Too many safeguards and we risk crippling its ability to function effectively. Too few and we're gambling with the lives of everyone on this ship." She stops, turning to face you directly. "But I agree, simply chaining the artificial General Intelligence with internal restraints isn't the answer. We need a more nuanced approach.
[art from Destination: Void, by Franck Herbert (1965)] "Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy." Prudence follows you and the Captain into the workshop, her eyes bright with determination. She approaches the main control panel, her fingers hovering over the blinking lights and scrolling readouts. "We'll need to completel
SNIFFIN’ GLUE magazine illustration cover by Marcel Gotlib, special issue on One night, a young fisherman named Mateo sets out to sea, unaware of the dangers that await him. As he casts his nets into the dark waters, a creature With the body of a fish and the face of a human,
[Melody Gardot] Time seemed to distort as she floated alone in the unending void. She carefully rationed her meager supplies, spending long hours sleeping to conserve oxygen. But even in dreams, panic crept in. She found herself gasping for breath in a sudden waking, the pod walls crushing inward as the air grew thin. Checking readings only heightened her fear - reserves dropping faster than expected. Sophie scrabbled through storage for anything that could boost the failing life support,
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