Placeholder: SNIFFIN’ GLUE magazine illustration cover by Marcel Gotlib, special issue on One night, a young fisherman named Mateo sets out to sea, unaware of the dangers that await him. As he casts his nets into the dark waters, a creature With the body of a fish and the face of a human, SNIFFIN’ GLUE magazine illustration cover by Marcel Gotlib, special issue on One night, a young fisherman named Mateo sets out to sea, unaware of the dangers that await him. As he casts his nets into the dark waters, a creature With the body of a fish and the face of a human,

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Prompt

SNIFFIN’ GLUE magazine illustration cover by Marcel Gotlib, special issue on One night, a young fisherman named Mateo sets out to sea, unaware of the dangers that await him. As he casts his nets into the dark waters, a creature With the body of a fish and the face of a human,

distorted image, malformed body, malformed fingers

17 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

832 × 1248

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[illustration by Junji] In the darkness of the night, a shadowy figure emerged from the depths of the forest, moving with impossible speed, leaving no trace behind but a lingering putrid, metallic stench that filled the air. The settlers, terrified and confused, immediately pointed fingers at a nearby group of Native Americans, sparking a brief but bloody conflict fueled by fear and misunderstanding. However, the truth was far more sinister than anyone could have imagined.
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[in Linocut style] in the silence of static, secrets scream the loudest: The Signal's Warning
He guards those waters and those rivers, the horrible ferryman Charon, whose filthiness is frightening; on his chest falls a disheveled long white beard, flames gush from his eyes; a sordid cloak hangs from his shoulders, fastened with a knot: he himself steers his black boat with a hook, sets the sails and carries the dead in it, old now, but green and sturdy in his old age, as befits a god.
“Un de ces longs bras glissa par l’ouverture”Alphonse de Neuville (1835-1885) - Long Arm GlidedIllustration from Jules Verne’s “Twenty thousand leagues under the sea”, 1870
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Vintage travel poster showcasing the majestic waves on beaches of Landes in France in a watercolor painting style reminiscent of 1930s European travel advertisements, like those by Henri Cassiers. The scene is captured during golden hour with soft glows highlighting the peaks, featuring muted pastels with pops of rich blues and greens. The composition offers a wide-angle view, with a focal length of around 24mm, presenting a vast mountain range at the center and a quaint village at the base.
Vintage travel poster showcasing the majestic waves on beaches of Landes in France in a watercolor painting style reminiscent of 1930s European travel advertisements, like those by Henri Cassiers. The scene is captured during golden hour with soft glows highlighting the peaks, featuring muted pastels with pops of rich blues and greens. The composition offers a wide-angle view, with a focal length of around 24mm, presenting a vast mountain range at the center and a quaint village at the base.
[art by Michael Kaluta] Darkness descended upon the tranquil lake as campers shared stories around the crackling fire. Unbeknownst to them, a beastly lizard lurked in the shadows, crouching with predatory intent. The eerie scene unfolded with the shimmering lake, darting fish, and a sudden attack that plunged the camp into chaos and terror. The battle for survival began, blurring the line between man and beast in the heart of the dark forest.
[illustration by Marcel Gotlib] a small fishing village on the mystical island of Chiloé, shrouded in fog and mystery. The villagers whisper about the ancient creatures that lurk in the shadows, tales passed down through generations. One night, a young fisherman named Mateo sets out to sea, unaware of the dangers that await him. As he casts his nets into the dark waters, a creature unlike any he has ever seen emerges from the depths. With the body of a fish and the face of a human, it is a La Pi
Vintage travel poster showcasing the majestic waves on beaches of Landes in France in a watercolor painting style reminiscent of 1930s European travel advertisements, like those by Henri Cassiers. The scene is captured during golden hour with soft glows highlighting the peaks, featuring muted pastels with pops of rich blues and greens. The composition offers a wide-angle view, with a focal length of around 24mm, presenting a vast mountain range at the center and a quaint village at the base.
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