Placeholder: “Un de ces longs bras glissa par l’ouverture”Alphonse de Neuville (1835-1885) - Long Arm GlidedIllustration from Jules Verne’s “Twenty thousand leagues under the sea”, 1870 “Un de ces longs bras glissa par l’ouverture”Alphonse de Neuville (1835-1885) - Long Arm GlidedIllustration from Jules Verne’s “Twenty thousand leagues under the sea”, 1870

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Prompt

“Un de ces longs bras glissa par l’ouverture”Alphonse de Neuville (1835-1885) - Long Arm GlidedIllustration from Jules Verne’s “Twenty thousand leagues under the sea”, 1870

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

1 year ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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“Un de ces longs bras glissa par l’ouverture”Alphonse de Neuville (1835-1885) - Long Arm GlidedIllustration from Jules Verne’s “Twenty thousand leagues under the sea”, 1870
UN COUP DE DÉS JAMAIS QUAND BIEN MÊME LANCÉ DANS DES CIRCONSTANCES ÉTERNELLES DU FOND D’UN NAUFRAGE SOIT que l’abîme blanchi étale furieux sous une inclinaison plane désespérément d’aile la sienne par avance retombée d’un mal à dresser le vol et couvrant les jaillissements coupant au ras les bonds très à l’intérieur résume l’ombre enfouie dans la transparence par cette voile alternative jusqu'adapter à l’envergure sa béante profondeur en tant que la coque d’un bâtiment penché de l’un ou l’au
[art by Moebius] A yellow spaceship with two large engines on the sides is flying through clouds. It has an oval shape and looks like it could be from Star Wars or Blade Runner. It's leaving behind a long trail of light as its engine fires off on one side. A planet can be seen far away above the ship. Photorealistic in the style of concept art.
A THROW OF THE DICE NEVER EVEN WHEN THROWN UNDER ETERNAL CIRCUMSTANCES FROM THE DEPTHS OF A SHIPWRECK LET IT BE SAID that the abyss white flat furious under a desperate plane inclination of wing its own already fallen from an evil to raise flight and covering the surges cutting at the knees the leaps
[art from Destination: Void, by Franck Herbert (1965)] "Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy." Prudence follows you and the Captain into the workshop, her eyes bright with determination. She approaches the main control panel, her fingers hovering over the blinking lights and scrolling readouts. "We'll need to completel
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
UN COUP DE DÉS JAMAIS QUAND BIEN MÊME LANCÉ DANS DES CIRCONSTANCES ÉTERNELLES DU FOND D’UN NAUFRAGE SOIT que l’abîme blanchi étale furieux sous une inclinaison plane désespérément d’aile la sienne par avance retombée d’un mal à dresser le vol et couvrant les jaillissements coupant au ras les bonds très à l’intérieur résume l’ombre enfouie dans la transparence par cette voile alternative jusqu'adapter à l’envergure sa béante profondeur en tant que la coque d’un bâtiment penché de l’un ou l’au
envision the scene. An overhead view, as if I am watching from above. The cold sea breeze cuts through the air, carrying the scent of salt and adventure. The waters around the Viking's vessel shimmer with an ethereal glow, reflecting the pale moonlight. The drakkar itself, a magnificent sight, its sleek figure slicing through the waves. I can see it now, the lifeless figure of the Viking Yard lying peacefully in the boat, his weathered face etched with the marks of battles fought and won. His ey
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
[art by Zdzisław Beksiński] Abandoned war robot wreckage on the beach, kids are approaching it from the beach in a small barque
[art by Zdzisław Beksiński] helicopterus alien with a lot of mini guns
envision the scene. An overhead view, as if I am watching from above. The cold sea breeze cuts through the air, carrying the scent of salt and adventure. The waters around the Viking's vessel shimmer with an ethereal glow, reflecting the pale moonlight. The drakkar itself, a magnificent sight, its sleek figure slicing through the waves. I can see it now, the lifeless figure of the Viking Yard lying peacefully in the boat, his weathered face etched with the marks of battles fought and won. His ey

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