Placeholder: [colour high res photo: Night of the Living Dead (1968) by Romero] In a climactic moment, intricate pipes appear, twisting and turning in a maze of complexity. Characters watch in awe as the pipes emit a harmonious hum, resonating with inexplicable power. Each pipe is adorned with ornate engravings and pulsating lights, forming a mesmerizing sight. [colour high res photo: Night of the Living Dead (1968) by Romero] In a climactic moment, intricate pipes appear, twisting and turning in a maze of complexity. Characters watch in awe as the pipes emit a harmonious hum, resonating with inexplicable power. Each pipe is adorned with ornate engravings and pulsating lights, forming a mesmerizing sight.

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[colour high res photo: Night of the Living Dead (1968) by Romero] In a climactic moment, intricate pipes appear, twisting and turning in a maze of complexity. Characters watch in awe as the pipes emit a harmonious hum, resonating with inexplicable power. Each pipe is adorned with ornate engravings and pulsating lights, forming a mesmerizing sight.

distorted image, malformed body, malformed fingers

1 month ago

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SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[colour high res photo: Night of the Living Dead (1968) by Romero] In a climactic moment, intricate pipes appear, twisting and turning in a maze of complexity. Characters watch in awe as the pipes emit a harmonious hum, resonating with inexplicable power. Each pipe is adorned with ornate engravings and pulsating lights, forming a mesmerizing sight.
[colour high res photo: Jason and the Argonauts (1963) n the eerie glow of a dimly lit comedy club, the stage was set for a performance unlike any other. The audience, a mix of the living and the undead, eagerly awaited the arrival of the stand-up artist who had risen from the grave to deliver his twisted brand of humor. As the spotlight flickered to life, revealing a figure clad in tattered clothes and sporting a ghostly pallor, the crowd erupted in a mix of laughter and nervous anticipation.
[high res colourful photo by Helmut Newton] Dracula introduces you: sister Bloody Mary, he stands with a pervert smile behind the nun, she is terribly bloody and has pointed canine fangs
World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)
[colour high res photo: Night of the Living Dead (1968) by Romero] In a climactic moment, intricate pipes appear, twisting and turning in a maze of complexity. Characters watch in awe as the pipes emit a harmonious hum, resonating with inexplicable power. Each pipe is adorned with ornate engravings and pulsating lights, forming a mesmerizing sight.
World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)
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[colour high res photo: Night of the Living Dead (1968) by Romero n the eerie glow of a dimly lit comedy club, the stage was set for a performance unlike any other. The audience, a mix of the living and the undead, eagerly awaited the arrival of the stand-up artist who had risen from the grave to deliver his twisted brand of humor. As the spotlight flickered to life, revealing a figure clad in tattered clothes and sporting a ghostly pallor, the crowd erupted in a mix of laughter and nervous an
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[colour high res photo: Night of the Living Dead (1968) by Romero n the eerie glow of a dimly lit comedy club, the stage was set for a performance unlike any other. The audience, a mix of the living and the undead, eagerly awaited the arrival of the stand-up artist who had risen from the grave to deliver his twisted brand of humor. As the spotlight flickered to life, revealing a figure clad in tattered clothes and sporting a ghostly pallor, the crowd erupted in a mix of laughter and nervous an
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