Placeholder: [colour high res photo: Night of the Living Dead (1968) by Romero] In a climactic moment, intricate pipes appear, twisting and turning in a maze of complexity. Characters watch in awe as the pipes emit a harmonious hum, resonating with inexplicable power. Each pipe is adorned with ornate engravings and pulsating lights, forming a mesmerizing sight. [colour high res photo: Night of the Living Dead (1968) by Romero] In a climactic moment, intricate pipes appear, twisting and turning in a maze of complexity. Characters watch in awe as the pipes emit a harmonious hum, resonating with inexplicable power. Each pipe is adorned with ornate engravings and pulsating lights, forming a mesmerizing sight.

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[colour high res photo: Night of the Living Dead (1968) by Romero] In a climactic moment, intricate pipes appear, twisting and turning in a maze of complexity. Characters watch in awe as the pipes emit a harmonious hum, resonating with inexplicable power. Each pipe is adorned with ornate engravings and pulsating lights, forming a mesmerizing sight.

distorted image, malformed body, malformed fingers

17 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[colour high res photo: Night of the Living Dead (1968) by Romero] In a climactic moment, intricate pipes appear, twisting and turning in a maze of complexity. Characters watch in awe as the pipes emit a harmonious hum, resonating with inexplicable power. Each pipe is adorned with ornate engravings and pulsating lights, forming a mesmerizing sight.
[colour high res photo: Jason and the Argonauts (1963) n the eerie glow of a dimly lit comedy club, the stage was set for a performance unlike any other. The audience, a mix of the living and the undead, eagerly awaited the arrival of the stand-up artist who had risen from the grave to deliver his twisted brand of humor. As the spotlight flickered to life, revealing a figure clad in tattered clothes and sporting a ghostly pallor, the crowd erupted in a mix of laughter and nervous anticipation.
[high res colourful photo by Helmut Newton] Dracula introduces you: sister Bloody Mary, he stands with a pervert smile behind the nun, she is terribly bloody and has pointed canine fangs
[colour high res photo: Night of the Living Dead (1968) by Romero n the eerie glow of a dimly lit comedy club, the stage was set for a performance unlike any other. The audience, a mix of the living and the undead, eagerly awaited the arrival of the stand-up artist who had risen from the grave to deliver his twisted brand of humor. As the spotlight flickered to life, revealing a figure clad in tattered clothes and sporting a ghostly pallor, the crowd erupted in a mix of laughter and nervous an
[colour high res photo: Night of the Living Dead (1968) by Romero] In a climactic moment, intricate pipes appear, twisting and turning in a maze of complexity. Characters watch in awe as the pipes emit a harmonious hum, resonating with inexplicable power. Each pipe is adorned with ornate engravings and pulsating lights, forming a mesmerizing sight.
World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)
[Blade Runner (1982) style, view from above] a robot teacher in a classroom with a lot of different student robots. The main robot distribute work amongst smaller robots and computers in the factory. there is electricity in the air, the main robot coordinates other robots
[Jason and the Argonauts (1963)] Skeletal army, Skeletal mage, Skeletal archer, Skeletal swordsman
[colour high res photo: Night of the Living Dead (1968) by Romero] n the pulsating heart of the underworld, where the line between the living and the dead blurred, there existed a disco dancing floor like no other. The stage was set for a performance that defied the boundaries of time and space, a spectacle that drew the attention of both the departed and the living. As the ethereal lights flickered to life, casting a kaleidoscope of colors across the dance floor, a figure emerged from the shad
[colour high res photo: Night of the Living Dead (1968) by Romero n the eerie glow of a dimly lit comedy club, the stage was set for a performance unlike any other. The audience, a mix of the living and the undead, eagerly awaited the arrival of the stand-up artist who had risen from the grave to deliver his twisted brand of humor. As the spotlight flickered to life, revealing a figure clad in tattered clothes and sporting a ghostly pallor, the crowd erupted in a mix of laughter and nervous an
World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)
[photo from collection gilman and gonzalez-FALLA]
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