Placeholder: Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline

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Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

1 year ago

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SSD-1B

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7

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Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
[art by Beeple] the longest toilet paper in the world, in Charlie's chocolate factory
a magical pop-up book, its pages filled with wonders untold. And within its enchanted confines, the timeless tale of Jack and the Beanstalk unfolds. But hold on tight, for this rendition will take you to new heights, quite literally. As you open the pop-up book, the paper springs to life, forming lush green lianas that stretch towards the sky. vines pop-out of the pop-up book, ascending higher and higher, clinging to the sky.
a magical pop-up book, its pages filled with wonders untold. And within its enchanted confines, the timeless tale of Jack and the Beanstalk unfolds. But hold on tight, for this rendition will take you to new heights, quite literally. As you open the book, the paper springs to life, forming lush green lianas that stretch towards the sky. Jack, our daring protagonist, finds himself pulled into the pages, ascending higher and higher, clinging to the sturdy vines. The world around him transforms, be
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
the material form is no different from the void of shapeless emptiness; the material form is the same as emptiness, and emptiness the same as the material form.
Rows of makeshift structures, constructed from salvaged materials, were scattered throughout the cavern. These served as living quarters, workshops, and communal areas for the bunker's residents. Rustic furnishings, handcrafted from repurposed materials, added a sense of comfort and homeliness to the otherwise stark environment. In one corner, a small hydroponic garden thrived, its verdant greenery providing a stark contrast to the rocky surroundings. The carefully tended plants offered a sourc
[Tilt-Shift Photography] The world above was a distant legend, whispered among Cuties around flickering campfires. They spoke of a sun that had vanished from the sky generations ago, replaced by a colossal fungal overgrowth that blotted out the heavens. What lay beyond this fungal wasteland, none could say for certain. The world outside was a place of myths and nightmares, a place where the air didn't taste of decay, and the earth wasn't a sea of mycelium. Luna's senses were honed to perfection
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
Alice Barton (21) is accompanied in Room F63 by a plethora of alien flora and fauna. Under the dazzling cyfflon lights she noted how the reptile eggs cracked and grew at super speed, (as did the neuroflax from seed). The challenge of this room includes measuring the various occupants and recording the numbers on the psi-screen. Will the scenario be repeated with other players.
At a local level, the modulus of continuity allows us to quantify the rate at which a function or sequence can change its values within a small interval. It tells us how much the function can deviate within a specific neighborhood, providing insights into its local behavior and fluctuations. On the other hand, when we consider the global perspective, the modulus of continuity provides information about the overall behavior of the function or sequence across a larger domain. It reveals how the fu
In a Wes Anderson-esque world: God/Deicide
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