Placeholder: Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline

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Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

6 months ago

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SSD-1B

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7

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1024 × 1024

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Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
the material form is no different from the void of shapeless emptiness; the material form is the same as emptiness, and emptiness the same as the material form.
Art collective teamLab lands on Samaliyah Island in Abu Dhabi to present numerous vibrant, multicolored light sculptures and site-specific, interactive installations for their Mangrove Island exhibition at Manar Abu Dhabi. The public art initiative of Abu Dhabi aims to spotlight an exhibition of new commissions and site-specific light sculptures, projections, and immersive artworks by local and international artists. It is here that teamLab chooses to plant three of their immersive light install
[fractal art: Apophysis] [zoom at the floral mosaic] the floral mosaics at Sheikh Zayed Grand Mosque. [art by Kevin Dean]
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
Art collective teamLab lands on Samaliyah Island in Abu Dhabi to present numerous vibrant, multicolored light sculptures and site-specific, interactive installations for their Mangrove Island exhibition at Manar Abu Dhabi. The public art initiative of Abu Dhabi aims to spotlight an exhibition of new commissions and site-specific light sculptures, projections, and immersive artworks by local and international artists. It is here that teamLab chooses to plant three of their immersive light install
In a Wes Anderson-esque world: God/Deicide
the material form is no different from the void of shapeless emptiness; the material form is the same as emptiness, and emptiness the same as the material form.
Julien Creuzet transforms the French Pavilion into a multisensory immersion animated with vibrant spools of thread, suspended contortions, dynamic screens, and floral aromas. At the 60th Venice Art Biennale, the installation is a manifestation of the artist’s reflections of his Caribbean roots and upbringing in France, as well as a reference to oceanic voyages and cultural syncretism — a complex narrative fittingly responsive to this year’s theme, Foreigner’s Everywhere. With curation by Céline
photo-realistic and highly detailed, weird but also humorous, this big room sees very cute girl in neo-dada outfit playing alien creatures in a 4D psionic competition. It is a playroom with surreal boho wall art, white, black, mustard, lime green, indigo geometric paintings, abstract sci-fi dream aesthetic
Damien Hirst’s Exquisite Pain
[fractal art: Mandelbulb 3d] [zoom at the floral mosaic] the floral mosaics at Sheikh Zayed Grand Mosque. [art by Kevin Dean]
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