Placeholder: the material form is no different from the void of shapeless emptiness; the material form is the same as emptiness, and emptiness the same as the material form. the material form is no different from the void of shapeless emptiness; the material form is the same as emptiness, and emptiness the same as the material form.

@generalpha

Prompt

the material form is no different from the void of shapeless emptiness; the material form is the same as emptiness, and emptiness the same as the material form.

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

9 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

Similar

[photo from Destination: Void, by Franck Herbert (1965)] ((( ((( (((Black Hole Mass))) ))) )))
starting points, multiple origins, the music of empty space
[photo from Destination: Void, by Franck Herbert (1965)] ((( ((( (((Black Hole Mass))) ))) )))
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
the materiality of 3.1415926535897932384626433832795028841971 6939937510 58209749445923078164062862089986280348253421170679 82148086513282306647093844609550582231725359408128 48111745028410270193852110555964462294895493038196 44288109756659334461284756482337867831652712019091
Inside the Fate of a marble
the material form is no different from the void of shapeless emptiness; the material form is the same as emptiness, and emptiness the same as the material form.
The Day The Earth Stood Still
the material form is no different from the void of shapeless emptiness; the material form is the same as emptiness, and emptiness the same as the material form.
[photo from Destination: Void, by Franck Herbert (1965)] ((( ((( (((Black Hole Mass))) ))) )))
As the darkness of the chamber was pierced by the expanding disk of light, the reader's gaze was drawn to its ethereal glow before beholding the figure within. Emerging from the radiant circle was the spectral presence of a human head, casting an otherworldly aura against the velvet hangings.Amidst this eerie scene, a silhouette gradually materialized—a figure sit on her bed: the Queen of Khauran herself.
[art by Zdzisław Beksiński] Hunger gnawed, a primal need, 'Till an oasis I found, its sweet waters I drank with greed. Refreshed, but still unsure of my rightful place, I sought shelter, away from prying eyes and alien grace. Wandering these dunes, a mystery unbound, Visions and memories, swirling all around. What forces brought me to this alien ground? A soulful lament, my heart's resound.

© 2025 Stablecog, Inc.