Placeholder: [colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. With a deep breath, she gathers what little remains of her belongings. Her dress, tattered and stained, serves as a reminder of the life she once had. Her dagger, a symbol of her resilience and self-defense, feels reassuring in her grip. And her magic rod, a conduit of her power and creativity, pulses with [colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. With a deep breath, she gathers what little remains of her belongings. Her dress, tattered and stained, serves as a reminder of the life she once had. Her dagger, a symbol of her resilience and self-defense, feels reassuring in her grip. And her magic rod, a conduit of her power and creativity, pulses with

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Prompt

[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. With a deep breath, she gathers what little remains of her belongings. Her dress, tattered and stained, serves as a reminder of the life she once had. Her dagger, a symbol of her resilience and self-defense, feels reassuring in her grip. And her magic rod, a conduit of her power and creativity, pulses with

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

6 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. With a deep breath, she gathers what little remains of her belongings. Her dress, tattered and stained, serves as a reminder of the life she once had. Her dagger, a symbol of her resilience and self-defense, feels reassuring in her grip. And her magic rod, a conduit of her power and creativity, pulses with
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. She staggers back, her legs giving way as she finds herself a seat on a nearby rock. With trembling hands, she wipes away the tears that stream down her face, her heart heavy with despair. With a deep breath, she steadies herself, her gaze fixed on the wreckage before her. The tears still stain her cheeks,
[colour picture: Jason and the Argonauts (1963)] Surpanakha, she has a twisted form and a ferocious demeanor. Her appearance is ominous, bearing the marks of her demonic lineage. Her alluring features reflect the darkness that resides within her. Surpanakha's eyes are filled with a fiery intensity. she sits on her throne in the temple
[Jason and the Argonauts (1963)] youthful Madonna as a witch, resplendent in her ethereal form, standing amidst a lush meadow. As she graces the Earth with her presence, the grass beneath her bare feet shivers with mystical energy.From the smallest blades of grass to the towering trees, each living entity joins in a symphony of praise for the Earth. The flowers burst forth in vibrant colors, their petals unfurling like delicate brushstrokes upon nature's canvas. Inspired by the words of the tran
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. She staggers back, her legs giving way as she finds herself a seat on a nearby rock. With trembling hands, she wipes away the tears that stream down her face, her heart heavy with despair. How could this have happened? How could something so cherished be torn apart by the merciless hands of fate? The weight
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. She stands before a burnt camp, the remnants of what was once a place of solace and safety. The destruction is evident, the charred remains serving as a painful reminder of what has been lost. And in this moment, she can no longer hold back the tears. The burnt camp, the tears, they are but a fleeting momen
[colour picture: Jason and the Argonauts (1963)] Surpanakha, with her twisted form and ferocious demeanor, presents a stark contrast. Her appearance is more ominous, bearing the marks of her demonic lineage. Her once alluring features have been distorted, reflecting the darkness that resides within her. Surpanakha's eyes, filled with a fiery intensity, convey a sense of danger and aggression. Her twisted form, with sharp claws and teeth, symbolizes her predatory nature and the ferocity with whic
[Jason and the Argonauts (1963)] youthful Madonna as a witch, resplendent in her ethereal form, standing amidst a lush meadow. As she graces the Earth with her presence, the grass beneath her bare feet shivers with mystical energy.From the smallest blades of grass to the towering trees, each living entity joins in a symphony of praise for the Earth. The flowers burst forth in vibrant colors, their petals unfurling like delicate brushstrokes upon nature's canvas. Inspired by the words of the tran
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. With a deep breath, she gathers what little remains of her belongings. Her dress, tattered and stained, serves as a reminder of the life she once had. Her dagger, a symbol of her resilience and self-defense, feels reassuring in her grip. And her magic rod, a conduit of her power and creativity, pulses with
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. With a deep breath, she gathers what little remains of her belongings. Her dress, tattered and stained, serves as a reminder of the life she once had. Her dagger, a symbol of her resilience and self-defense, feels reassuring in her grip. And her magic rod, a conduit of her power and creativity, pulses with
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. She staggers back, her legs giving way as she finds herself a seat on a nearby rock. With trembling hands, she wipes away the tears that stream down her face, her heart heavy with despair. How could this have happened? How could something so cherished be torn apart by the merciless hands of fate? The weight
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. Her sobs echo through the desolate landscape, a mournful melody that speaks of both loss and resilience. But amidst the tears, a fire burns within her. A determination to rise from the ashes, to create something even more extraordinary. The tears may fall, but they will not extinguish her spirit. She wipes
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