Placeholder: [colour picture: Jason and the Argonauts (1963)] Surpanakha, she has a twisted form and a ferocious demeanor. Her appearance is ominous, bearing the marks of her demonic lineage. Her alluring features reflect the darkness that resides within her. Surpanakha's eyes are filled with a fiery intensity. she sits on her throne in the temple [colour picture: Jason and the Argonauts (1963)] Surpanakha, she has a twisted form and a ferocious demeanor. Her appearance is ominous, bearing the marks of her demonic lineage. Her alluring features reflect the darkness that resides within her. Surpanakha's eyes are filled with a fiery intensity. she sits on her throne in the temple

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Prompt

[colour picture: Jason and the Argonauts (1963)] Surpanakha, she has a twisted form and a ferocious demeanor. Her appearance is ominous, bearing the marks of her demonic lineage. Her alluring features reflect the darkness that resides within her. Surpanakha's eyes are filled with a fiery intensity. she sits on her throne in the temple

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

5 months ago

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SSD-1B

Guidance Scale

7

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1024 × 1024

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[colour picture: Jason and the Argonauts (1963)] Surpanakha, with her twisted form and ferocious demeanor, presents a stark contrast. Her appearance is more ominous, bearing the marks of her demonic lineage. Her once alluring features have been distorted, reflecting the darkness that resides within her. Surpanakha's eyes, filled with a fiery intensity, convey a sense of danger and aggression. Her twisted form, with sharp claws and teeth, symbolizes her predatory nature and the ferocity with whic
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. With a deep breath, she gathers what little remains of her belongings. Her dress, tattered and stained, serves as a reminder of the life she once had. Her dagger, a symbol of her resilience and self-defense, feels reassuring in her grip. And her magic rod, a conduit of her power and creativity, pulses with
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. With a deep breath, she gathers what little remains of her belongings. Her dress, tattered and stained, serves as a reminder of the life she once had. Her dagger, a symbol of her resilience and self-defense, feels reassuring in her grip. And her magic rod, a conduit of her power and creativity, pulses with
[Jason and the Argonauts (1963)] In the heart of a bustling Gypsy encampment Svetlanathe charismatic Gypsy Leader, sits beneath a brightly colored canopy. Her dark eyes, filled with wisdom and authority, scan the surrounding commotion. As the Gypsy Guide, Raul, approaches her with a determined stride, she senses his urgency and beckons him to join her.
[colour picture: Jason and the Argonauts (1963)] Surpanakha, with her twisted form and ferocious demeanor, presents a stark contrast. Her appearance is more ominous, bearing the marks of her demonic lineage. Her once alluring features have been distorted, reflecting the darkness that resides within her. Surpanakha's eyes, filled with a fiery intensity, convey a sense of danger and aggression. Her twisted form, with sharp claws and teeth, symbolizes her predatory nature and the ferocity with whic
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. She staggers back, her legs giving way as she finds herself a seat on a nearby rock. With trembling hands, she wipes away the tears that stream down her face, her heart heavy with despair. How could this have happened? How could something so cherished be torn apart by the merciless hands of fate? The weight
Marie Gomez from The High Chaparral in princess Leia's slave costume of the Return of the Jedi, close to Jabba the Hutt.
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. Her sobs echo through the desolate landscape, a mournful melody that speaks of both loss and resilience. But amidst the tears, a fire burns within her. A determination to rise from the ashes, to create something even more extraordinary. The tears may fall, but they will not extinguish her spirit. She wipes
[colour picture: Jason and the Argonauts (1963)] Surpanakha, she has a twisted form and a ferocious demeanor. Her appearance is ominous, bearing the marks of her demonic lineage. Her alluring features reflect the darkness that resides within her. Surpanakha's eyes are filled with a fiery intensity. she sits on her throne in the temple
[Jason and the Argonauts (1963)] In the heart of a bustling Gypsy encampment Svetlanathe charismatic Gypsy Leader, sits beneath a brightly colored canopy. Her dark eyes, filled with wisdom and authority, scan the surrounding commotion. As the Gypsy Guide, Raul, approaches her with a determined stride, she senses his urgency and beckons him to join her.
Marie Gomez from The High Chaparral in princess Leia's slave costume of the Return of the Jedi, close to Jabba the Hutt.
From a film studio in an alternate universe... Title: Anubis: Lord of the Afterlife Year: 1940 Genre: Adventure / Epic / Fantasy Director: Fritz Lang Writer: Cecil B. DeMille (Story), Dalton Trumbo (Screenplay) Stars: Yul Brynner, Vivien Leigh, and Claude Rains Runtime: 187 min In Anubis: Lord of the Afterlife, Yul Brynner delivers a powerful performance as Anubis, the ancient Egyptian god of death and the afterlife. The film is an epic tale set during the reign of Pharaoh Seti I, depict

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