Placeholder: [Jason and the Argonauts (1963)] youthful Madonna as a witch, resplendent in her ethereal form, standing amidst a lush meadow. As she graces the Earth with her presence, the grass beneath her bare feet shivers with mystical energy.From the smallest blades of grass to the towering trees, each living entity joins in a symphony of praise for the Earth. The flowers burst forth in vibrant colors, their petals unfurling like delicate brushstrokes upon nature's canvas. Inspired by the words of the tran [Jason and the Argonauts (1963)] youthful Madonna as a witch, resplendent in her ethereal form, standing amidst a lush meadow. As she graces the Earth with her presence, the grass beneath her bare feet shivers with mystical energy.From the smallest blades of grass to the towering trees, each living entity joins in a symphony of praise for the Earth. The flowers burst forth in vibrant colors, their petals unfurling like delicate brushstrokes upon nature's canvas. Inspired by the words of the tran

@generalpha

Prompt

[Jason and the Argonauts (1963)] youthful Madonna as a witch, resplendent in her ethereal form, standing amidst a lush meadow. As she graces the Earth with her presence, the grass beneath her bare feet shivers with mystical energy.From the smallest blades of grass to the towering trees, each living entity joins in a symphony of praise for the Earth. The flowers burst forth in vibrant colors, their petals unfurling like delicate brushstrokes upon nature's canvas. Inspired by the words of the tran

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

7 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. With a deep breath, she gathers what little remains of her belongings. Her dress, tattered and stained, serves as a reminder of the life she once had. Her dagger, a symbol of her resilience and self-defense, feels reassuring in her grip. And her magic rod, a conduit of her power and creativity, pulses with
[Jason and the Argonauts (1963)] the barbarian woman with her fury boots in titanium scale armour, Barbarella with her axe
[Jason and the Argonauts (1963)] the barbarian woman with her fury boots in titanium scale armour, Barbarella with her axe
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. And in the end, the remnants of those who dared to challenge her lie scattered on the forest floor, a testament to her indomitable spirit. Surpanakha stands amidst the carnage, her twisted form radiating power and triumph. She has reclaimed her sanctuary, her twisted essence more potent than ever. From the
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. With a deep breath, she gathers what little remains of her belongings. Her dress, tattered and stained, serves as a reminder of the life she once had. Her dagger, a symbol of her resilience and self-defense, feels reassuring in her grip. And her magic rod, a conduit of her power and creativity, pulses with
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. She staggers back, her legs giving way as she finds herself a seat on a nearby rock. With trembling hands, she wipes away the tears that stream down her face, her heart heavy with despair. How could this have happened? How could something so cherished be torn apart by the merciless hands of fate? The weight
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. With a deep breath, she gathers what little remains of her belongings. Her dress, tattered and stained, serves as a reminder of the life she once had. Her dagger, a symbol of her resilience and self-defense, feels reassuring in her grip. And her magic rod, a conduit of her power and creativity, pulses with
[Jason and the Argonauts (1963)] the barbarian woman with fury boots in titanium scale armour
[Jason and the Argonauts (1963)] youthful Madonna as a witch, resplendent in her ethereal form, standing amidst a lush meadow. As she graces the Earth with her presence, the grass beneath her bare feet shivers with mystical energy.From the smallest blades of grass to the towering trees, each living entity joins in a symphony of praise for the Earth. The flowers burst forth in vibrant colors, their petals unfurling like delicate brushstrokes upon nature's canvas. Inspired by the words of the tran
[Jason and the Argonauts (1963)] the barbarian woman with fury boots in titanium scale armour
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. With a deep breath, she gathers what little remains of her belongings. Her dress, tattered and stained, serves as a reminder of the life she once had. Her dagger, a symbol of her resilience and self-defense, feels reassuring in her grip. And her magic rod, a conduit of her power and creativity, pulses with
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