Placeholder: The captain's response was a hollow chuckle that reverberated inside the confines of his helmet. "Human? What is human in this forsaken place? We are creatures of the void, the remnants of a twisted experiment by a mad scientist who thought he could harness the power of time itself." The captain's response was a hollow chuckle that reverberated inside the confines of his helmet. "Human? What is human in this forsaken place? We are creatures of the void, the remnants of a twisted experiment by a mad scientist who thought he could harness the power of time itself."

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@generalpha

Prompt

The captain's response was a hollow chuckle that reverberated inside the confines of his helmet. "Human? What is human in this forsaken place? We are creatures of the void, the remnants of a twisted experiment by a mad scientist who thought he could harness the power of time itself."

2 years ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

832 × 1248

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The captain's response was a hollow chuckle that reverberated inside the confines of his helmet. "Human? What is human in this forsaken place? We are creatures of the void, the remnants of a twisted experiment by a mad scientist who thought he could harness the power of time itself."
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
Charles Bishop Weyland; Alien
Charles Bishop Weyland in the Nostromo
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
Charles Bishop Weyland in the Nostromo
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
The lead figure, a haggard soul with eyes that had seen horrors beyond imagination, stood at the forefront of this eerie assembly. His helmet, like a monstrous crown, bore the scars of countless battles, and his pensive expression hinted at the weight of their mission. A mission that had long since spiraled into madness. "We must press on," the captain declared, his voice carrying an eerie determination. "There are answers out there, buried in the annals of time. Answers that we must uncover, no
The lead figure, a haggard soul with eyes that had seen horrors beyond imagination, stood at the forefront of this eerie assembly. His helmet, like a monstrous crown, bore the scars of countless battles, and his pensive expression hinted at the weight of their mission. A mission that had long since spiraled into madness. "Captain," one of the soldiers muttered, his voice trembling with a mixture of fear and uncertainty. "Are we...are we even human anymore?" The captain's response was a hollow
use the force, spock
Charles Bishop Weyland; Predactor
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