Placeholder: [movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism. [movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.

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Prompt

[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.

distorted image, malformed body, malformed fingers

13 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1248 × 832

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[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
Charles Bishop Weyland in the Nostromo
[photo by Evelyn Hofer] Penny Robinson from lost in space: she stands in her iconic space suit inside the spaceship
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
Charles Bishop Weyland in the Nostromo
use the force, spock
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
Lieutenant Sulu practices fencing in the captain chair of Ron Cobb's USCSS Nostromo, view from below[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed from a 1970 B series movie]
The pressure to start a novel with a photo of a woman in a Star Trek uniform on a starship bridge is intense. But I won't be a hack. I'll give them something unexpected. The woman becomes a captain, defying expectations. Boundaries blur as reality clashes with fiction. Shakespearean actors and fantastical creatures enter the stage. The woman's knee-high boots symbolize rebellion. The story explores different genres and redefines reality. I won't succumb to mediocrity. I'll create a captivating a
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