Placeholder: [movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism. [movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.

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Prompt

[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.

distorted image, malformed body, malformed fingers

13 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1248 × 832

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[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
Charles Bishop Weyland in the Nostromo
Lieutenant Sulu practices fencing in the captain chair of Ron Cobb's USCSS Nostromo, view from below[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed from a 1970 B series movie]
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
Charles Bishop Weyland in the Nostromo
Navigating through the treacherous field of space debris, she propelled herself forward, her gloved hands gripping onto the fragments of wreckage. Piece by piece, she salvaged whatever she could, scavenging vital components to repair her failing life support system. Time became a blur as she toiled in the cold emptiness, her pulse echoing in her ears. The abyss of space seemed both infinite and suffocating, a reminder of her fragile existence. Her augmented vision scanned the surroundings, searc
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
[movie shot by H.R. Giger in Verve colour palette] Cinematic side-profile of a pilot in a futuristic spaceship, slammed into his seat by extreme G-forces. Facial features strain under pressure. A round porthole beside him shows the dark void of space with faint star streaks. Cockpit illuminated by glowing panels and dramatic rim light, high-detail realism.
a close up on the helmet of a spacesuit on a moon, with reflects of a devil
[photo by Evelyn Hofer] Penny Robinson from lost in space: she stands in her iconic space suit inside the spaceship
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