Placeholder: Photograph of happy native Indians dancing with paints on their faces (1843) from the Edward S. Curtis Collection Photograph of happy native Indians dancing with paints on their faces (1843) from the Edward S. Curtis Collection

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Photograph of happy native Indians dancing with paints on their faces (1843) from the Edward S. Curtis Collection

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

8 months ago

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SSD-1B

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7

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1024 × 1024

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Photograph of happy native Indians dancing with Marilyn Monroe on their faces (1843) from the Edward S. Curtis Collection
From left to right, from Portraits of Four Indian Kings of Canada by John Simon: Etow Oh Koam, King of the River Nation; a Ga Yeath Pieth Tow, King of the Maquas; Tee Yee Neen Ho Ga Row, Emperour of the Six Nations; Ho Nee Yeath Taw No Row, King of the Generethgarich, via Wikimedia Commons
We were men of the Lincoln battalion we're proud of the fight that we made we know that you people of the valley will remember our Lincoln brigade.
We were men of the Lincoln battalion we're proud of the fight that we made we know that you people of the valley will remember our Lincoln brigade.
American Indian women offering some alien beings some food and water c.1880's
a Native American tribe, possibly the Tolkepayas (Western Yavapai); they captured and enslaved her and her sister and later sold them to the Mohave people. After several years with the Mohave, during which her sister died of hunger, she returned to American society, five years after being carried off. In subsequent years, the tale of Oatman came to be retold with dramatic license in the press, in her own "memoir" and speeches, novels, plays, movies and poetry.
In vibrant colors, the dancers take the floor, Their feet tap to rhythms from ancient lore, Oh, kulu natume, dance of gods so true, Celebrate the harvest, in rhythms we move,
a Native American tribe, possibly the Tolkepayas (Western Yavapai); they captured and enslaved her and her sister and later sold them to the Mohave people. After several years with the Mohave, during which her sister died of hunger, she returned to American society, five years after being carried off. In subsequent years, the tale of Oatman came to be retold with dramatic license in the press, in her own "memoir" and speeches, novels, plays, movies and poetry.
Sitting Bull / D.F. Barry, photographer, Bismarck, D.T.
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In the land of Sri Lanka, where traditions thrive, There's a dance of gods, keeping spirits alive Oh, kulu natume, dance of gods so true, Celebrate the harvest, in rhythms we move,
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