Placeholder: Photograph of happy native Indians dancing with paints on their faces (1843) from the Edward S. Curtis Collection Photograph of happy native Indians dancing with paints on their faces (1843) from the Edward S. Curtis Collection

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Photograph of happy native Indians dancing with paints on their faces (1843) from the Edward S. Curtis Collection

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

10 months ago

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SSD-1B

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7

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1024 × 1024

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Photograph of happy native Indians dancing with Marilyn Monroe on their faces (1843) from the Edward S. Curtis Collection
From left to right, from Portraits of Four Indian Kings of Canada by John Simon: Etow Oh Koam, King of the River Nation; a Ga Yeath Pieth Tow, King of the Maquas; Tee Yee Neen Ho Ga Row, Emperour of the Six Nations; Ho Nee Yeath Taw No Row, King of the Generethgarich, via Wikimedia Commons
The painting of a man's face and body among the plains tribes during the buffalo days was said to be a form of mental conditioning. Warriors would paint themselves with personal protective designs and colors before they engaged in battle with an enemy. Hence the stereotypical term “war paint.”
In the land of Sri Lanka, where traditions thrive, There's a dance of gods, keeping spirits alive Oh, kulu natume, dance of gods so true, Celebrate the harvest, in rhythms we move,
American Indian women offering some alien beings some food and water c.1880's
a Native American tribe, possibly the Tolkepayas (Western Yavapai); they captured and enslaved her and her sister and later sold them to the Mohave people. After several years with the Mohave, during which her sister died of hunger, she returned to American society, five years after being carried off. In subsequent years, the tale of Oatman came to be retold with dramatic license in the press, in her own "memoir" and speeches, novels, plays, movies and poetry.
We were men of the Lincoln battalion we're proud of the fight that we made we know that you people of the valley will remember our Lincoln brigade.
We were men of the Lincoln battalion we're proud of the fight that we made we know that you people of the valley will remember our Lincoln brigade.
Sitting Bull / D.F. Barry, photographer, Bismarck, D.T.
Sitting Bull / D.F. Barry, photographer, Bismarck, D.T.
In vibrant colors, the dancers take the floor, Their feet tap to rhythms from ancient lore, Oh, kulu natume, dance of gods so true, Celebrate the harvest, in rhythms we move,
The painting of Little gazelle (Tatanka-cikala)'s face and body among the plains tribes was said to be a form of mental conditioning. the Warrior paint herself with personal protective designs and colors beforehethey engaged in battle with an enemy.

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