Placeholder: Photograph of happy native Indians dancing with paints on their faces (1843) from the Edward S. Curtis Collection Photograph of happy native Indians dancing with paints on their faces (1843) from the Edward S. Curtis Collection

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Prompt

Photograph of happy native Indians dancing with paints on their faces (1843) from the Edward S. Curtis Collection

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

2 years ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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Photograph of happy native Indians dancing with Marilyn Monroe on their faces (1843) from the Edward S. Curtis Collection
From left to right, from Portraits of Four Indian Kings of Canada by John Simon: Etow Oh Koam, King of the River Nation; a Ga Yeath Pieth Tow, King of the Maquas; Tee Yee Neen Ho Ga Row, Emperour of the Six Nations; Ho Nee Yeath Taw No Row, King of the Generethgarich, via Wikimedia Commons
Sitting Bull / D.F. Barry, photographer, Bismarck, D.T.
The painting of a man's face and body among the plains tribes during the buffalo days was said to be a form of mental conditioning. Warriors would paint themselves with personal protective designs and colors before they engaged in battle with an enemy. Hence the stereotypical term “war paint.”
American Indian women offering some alien beings some food and water c.1880's
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] As Arjuna and Duryodhana stand shoulder to shoulder, facing the same wooden target in the archery contest, their skills as archers are undeniable. Both warriors possess remarkable talent and prowess with the bow, each capable of hitting their mark with precision and power. Arjuna's form is impeccable, his arrows flying true and striking the target with effortless grace. His mastery of archery shines brigh
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] As Arjuna and Duryodhana stand shoulder to shoulder, facing the same wooden target in the archery contest, their skills as archers are undeniable. Both warriors possess remarkable talent and prowess with the bow, each capable of hitting their mark with precision and power. Arjuna's form is impeccable, his arrows flying true and striking the target with effortless grace. His mastery of archery shines brigh
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] On reaching it the chariots were parked with military precision on the four sides of the enclosure, and half a score of warriors, headed by the enormous chieftain, and including Tars Tarkas and several other lesser chiefs, dismounted and advanced toward it. | could see Tars Tarkas explaining something to the principal chieftain, whose name, by the way, was, as nearly as | can translate it into English, Lo
Sitting Bull / D.F. Barry, photographer, Bismarck, D.T.
a Native American tribe, possibly the Tolkepayas (Western Yavapai); they captured and enslaved her and her sister and later sold them to the Mohave people. After several years with the Mohave, during which her sister died of hunger, she returned to American society, five years after being carried off. In subsequent years, the tale of Oatman came to be retold with dramatic license in the press, in her own "memoir" and speeches, novels, plays, movies and poetry.
[1960’s colour stop-motion animation style on the battlefield ] a 70s advertisement video TV featuring a fight begins with great intensity.The barbarian warrior uses her weapons hitting the monster severely ripping pieces of her grotesque and monstrous foe. but the monster is very strong and does not let himself be killed.he attacks with deadly fury the barbara warrior and manages to grab her embracing her with his distorted and very strong arms, full of rigid muscles.he hugs her very tightly
[art by Kevin Eastman and Peter Laird] A surprised Niger sublime dancer woman, 24-years-old wearing a white and green one-piece swimsuit , dancing gracefully with a walking orchestra, the overcast sky in the background, vintage 1980's photo

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