Placeholder: [vintage style noisy scratches glitches] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape. [vintage style noisy scratches glitches] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.

Back to Profile

@generalpha

Prompt

[vintage style noisy scratches glitches] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.

distorted image, malformed body

7 days ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

Similar

[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[Pan's Labyrinth (2006)] The painting of Little gazelle (Tatanka-cikala)'s face and body among the plains tribes was said to be a form of mental conditioning. the Warrior paint herself with personal protective designs and colors before she engages in battle with an enemy.
[Endor, tattooed woman warrior] From her perch high upon the leaf-whispering bough, Afrey's keen gaze scans each flickering shadow between the tree trunks below. All seems calm within the Ewok city — for now. But she has stood too long as a people's last defense not to know well that peace oft comes dressed in danger's guise. In the dim glow filtering through foliage, those swirls and knots inked upon her skin ripple subtly with each shift. Great serpents and ravens in their inexorable dance, cr
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed] Viking heroes and heroines
[Pan's Labyrinth (2006)] Taarakian Aether Archon
[vintage style noisy scratches glitches] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[Jason and the Argonauts (1963)] Surpanakha, with her twisted form and ferocious demeanor, presents a stark contrast. Her appearance is more ominous, bearing the marks of her demonic lineage. Her once alluring features have been distorted, reflecting the darkness that resides within her.Surpanakha's eyes, filled with a fiery intensity, convey a sense of danger and aggression. Her twisted form, with sharp claws and teeth, symbolizes her predatory nature and the ferocity with which she pursues her
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] In the fractured remnants of a world that forgot mercy, she is the spark left behind. A war-born nomad, inked with stories of survival and vengeance, her weapon is more than metal—it's memory. With eyes that have seen too much and blinked for no one, she walks the ruins not to conquer, but to remind the wasteland it hasn't broken her. Not yet.
[colour picture: Jason and the Argonauts (1963)] Surpanakha, with her twisted form and ferocious demeanor, presents a stark contrast. Her appearance is more ominous, bearing the marks of her demonic lineage. Her once alluring features have been distorted, reflecting the darkness that resides within her. Surpanakha's eyes, filled with a fiery intensity, convey a sense of danger and aggression. Her twisted form, with sharp claws and teeth, symbolizes her predatory nature and the ferocity with whic
Terms of Service • Privacy Policy

© 2025 Stablecog, Inc.