Placeholder: [vintage style noisy scratches glitches] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape. [vintage style noisy scratches glitches] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.

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@generalpha

Prompt

[vintage style noisy scratches glitches] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.

distorted image, malformed body

10 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[Pan's Labyrinth (2006)] The painting of Little gazelle (Tatanka-cikala)'s face and body among the plains tribes was said to be a form of mental conditioning. the Warrior paint herself with personal protective designs and colors before she engages in battle with an enemy.
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed] Viking heroes and heroines
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
SNIFFIN’ GLUE magazine high res photo cover by Ralph Steadmann:, special Disobey issue, guest star: Nina Hagen in lumberjackwith a bloody axe in a forest surrounded by woods, NO RULES, just punk
[high res photo by Ray Harryhausen] thought to myself What could that mean? Am I going crazy Or is this just a dream? Now wait a minute I know I'm lying in a field of grass somewhere So it's all in my head And then I heard her say one more time
[vintage style noisy scratches glitches] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[Jason and the Argonauts (1963)] Surpanakha, with her twisted form and ferocious demeanor, presents a stark contrast. Her appearance is more ominous, bearing the marks of her demonic lineage. Her once alluring features have been distorted, reflecting the darkness that resides within her.Surpanakha's eyes, filled with a fiery intensity, convey a sense of danger and aggression. Her twisted form, with sharp claws and teeth, symbolizes her predatory nature and the ferocity with which she pursues her
[high res photo by aWilliam S. Burroughs' "The Electronic Revolution" and Jack Kerouac's "On the Road"] the back of the Barbarian female warrior who is ready to fight: In the center of the chamber, looming over everything, is a creature that defies description. Its body is a grotesque amalgamation of flesh and bone, twisted and deformed by some unspeakable evil. Its eyes are burning coals, filled with an insatiable hunger that threatens to consume everything in its path. The beast lets out a bon
[high res photo by Ray Harryhausen] Her many enemies have vowed to burn her at the stake if she ever falls into their vengeful hands. She has slain so many of their kinsmen. The hills are crawling with her foes eager to take her alive for the fire. Traps have been set for her, and her risk of capture are high. Yet this brave young warrior has no fear of any foe and welcomes the opportunity to slay even more enemies.
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