Placeholder: [Jason and the Argonauts (1963)] Surpanakha, with her twisted form and ferocious demeanor, presents a stark contrast. Her appearance is more ominous, bearing the marks of her demonic lineage. Her once alluring features have been distorted, reflecting the darkness that resides within her.Surpanakha's eyes, filled with a fiery intensity, convey a sense of danger and aggression. Her twisted form, with sharp claws and teeth, symbolizes her predatory nature and the ferocity with which she pursues her [Jason and the Argonauts (1963)] Surpanakha, with her twisted form and ferocious demeanor, presents a stark contrast. Her appearance is more ominous, bearing the marks of her demonic lineage. Her once alluring features have been distorted, reflecting the darkness that resides within her.Surpanakha's eyes, filled with a fiery intensity, convey a sense of danger and aggression. Her twisted form, with sharp claws and teeth, symbolizes her predatory nature and the ferocity with which she pursues her

Back to Profile

@generalpha

Prompt

[Jason and the Argonauts (1963)] Surpanakha, with her twisted form and ferocious demeanor, presents a stark contrast. Her appearance is more ominous, bearing the marks of her demonic lineage. Her once alluring features have been distorted, reflecting the darkness that resides within her.Surpanakha's eyes, filled with a fiery intensity, convey a sense of danger and aggression. Her twisted form, with sharp claws and teeth, symbolizes her predatory nature and the ferocity with which she pursues her

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

5 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

4096 × 4096

Similar

[colour picture: Jason and the Argonauts (1963)] Surpanakha, she has a twisted form and a ferocious demeanor. Her appearance is ominous, bearing the marks of her demonic lineage. Her alluring features reflect the darkness that resides within her. Surpanakha's eyes are filled with a fiery intensity. she sits on her throne in the temple
[colour picture: Jason and the Argonauts (1963)] Surpanakha, with her twisted form and ferocious demeanor, presents a stark contrast. Her appearance is more ominous, bearing the marks of her demonic lineage. Her once alluring features have been distorted, reflecting the darkness that resides within her. Surpanakha's eyes, filled with a fiery intensity, convey a sense of danger and aggression. Her twisted form, with sharp claws and teeth, symbolizes her predatory nature and the ferocity with whic
[ancien Egypt, real photography] Satiah's dance is a tantalizing symphony of temptation, a hypnotic blend of fluid movements that entwine with the desires of those who watch. With each sensuous sway of her hips, she evokes the ancient allure of Bilquis, the goddess who ensnared the hearts of kings and divinities alike. As the music's tempo ebbs and flows, Satiah's dance weaves a tale of empowerment and submission, dominance and surrender. Her fingers trace a path through the air, conjuring visi
Title: Anubis: Lord of the Afterlife Year: 1940 Genre: Adventure / Epic / Fantasy Director: Fritz Lang Writer: Cecil B. DeMille (Story), Dalton Trumbo (Screenplay) Stars: Yul Brynner, Vivien Leigh, and Claude Rains Runtime: 187 min In Anubis: Lord of the Afterlife, Yul Brynner delivers a powerful performance as Anubis, the ancient Egyptian god of death and the afterlife. The film is an epic tale set during the reign of Pharaoh Seti I, depicting a power struggle among the gods and their in
[Jason and the Argonauts (1963)] Surpanakha, with her twisted form and ferocious demeanor, presents a stark contrast. Her appearance is more ominous, bearing the marks of her demonic lineage. Her once alluring features have been distorted, reflecting the darkness that resides within her.Surpanakha's eyes, filled with a fiery intensity, convey a sense of danger and aggression. Her twisted form, with sharp claws and teeth, symbolizes her predatory nature and the ferocity with which she pursues her
From a film studio in an alternate universe... Title: Anubis: Lord of the Afterlife Year: 1940 Genre: Adventure / Epic / Fantasy Director: Fritz Lang Writer: Cecil B. DeMille (Story), Dalton Trumbo (Screenplay) Stars: Yul Brynner, Vivien Leigh, and Claude Rains Runtime: 187 min In Anubis: Lord of the Afterlife, Yul Brynner delivers a powerful performance as Anubis, the ancient Egyptian god of death and the afterlife. The film is an epic tale set during the reign of Pharaoh Seti I, depict
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. She stands before a burnt camp, the remnants of what was once a place of solace and safety. The destruction is evident, the charred remains serving as a painful reminder of what has been lost. And in this moment, she can no longer hold back the tears. The burnt camp, the tears, they are but a fleeting momen
(A top-notch, incredibly lifelike) photograph taken using a Nikon F2 camera, featuring a captivating young woman (rated 1.5 in attractiveness) standing elegantly while adorned in traditional attire (rated 1.2 for its cultural significance). The setting is a distant planet, creating a unique and atmospheric ambiance with moody lighting, diffused rays, beautiful shadows, and a delicately blurred background for added depth and detail.
[colour picture: Jason and the Argonauts (1963)] Surpanakha, with her twisted form and ferocious demeanor, presents a stark contrast. Her appearance is more ominous, bearing the marks of her demonic lineage. Her once alluring features have been distorted, reflecting the darkness that resides within her. Surpanakha's eyes, filled with a fiery intensity, convey a sense of danger and aggression. Her twisted form, with sharp claws and teeth, symbolizes her predatory nature and the ferocity with whic
[colour picture: Jason and the Argonauts (1963)] Surpanakha, she has a twisted form and a ferocious demeanor. Her appearance is ominous, bearing the marks of her demonic lineage. Her alluring features reflect the darkness that resides within her. Surpanakha's eyes are filled with a fiery intensity. she sits on her throne in the temple
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. With a deep breath, she gathers what little remains of her belongings. Her dress, tattered and stained, serves as a reminder of the life she once had. Her dagger, a symbol of her resilience and self-defense, feels reassuring in her grip. And her magic rod, a conduit of her power and creativity, pulses with
[ancien Egypt, real photography, pharaoh's throne room in background] The dance begins with slow, deliberate movements that mirror the rising sun over the horizon. Satiah's arms unfurl like delicate petals, capturing the essence of the lotus, a symbol of creation and rebirth. Her fingers trace intricate patterns in the air, evoking the cosmic dance of the heavens, where gods and stars move in a harmonious choreography. As the music's tempo quickens, Satiah's dance becomes more energetic and dyn
Terms of Service • Privacy Policy

© 2024 Stablecog, Inc.