Placeholder: [vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape. [vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.

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@generalpha

Prompt

[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.

distorted image, malformed body

2 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[vintage style noisy scratches glitches] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[high res photo by Kishin Shinoyama (1968)] a female Barbarella version of Saint Sebastian wounded by arrows along the trunk of a tree
[high res photo by Kishin Shinoyama (1968)] a female Barbarella version of Saint Sebastian wounded by arrows along the trunk of a tree
[vintage style noisy scratches glitches] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
SNIFFIN’ GLUE magazine high res photo cover by Ralph Steadmann:, special Disobey issue, guest star: Nina Hagen in lumberjackwith a bloody axe in a forest surrounded by woods, NO RULES, just punk
[high res photo by Kishin Shinoyama (1968)] a female Barbarella version of Saint Sebastian pierced by arrows
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] In the fractured remnants of a world that forgot mercy, she is the spark left behind. A war-born nomad, inked with stories of survival and vengeance, her weapon is more than metal—it's memory. With eyes that have seen too much and blinked for no one, she walks the ruins not to conquer, but to remind the wasteland it hasn't broken her. Not yet.
[Excalibur (1981)] young blonde woman knelt on the cold, damp ground, her tear-streaked face a portrait of fear and despair. Bruises marred her delicate skin, evidence of the ordeal she had endured. Her hands were held behind her head in a gesture of submission, a silent plea for mercy in the presence of the towering figure before her.The horned figure loomed over her, a menacing presence cloaked in shadows and mystery. Its cranial facial structure gave it an otherworldly appearance, a being not
[Pan's Labyrinth (2006)] young blonde woman knelt on the cold, damp ground, her tear-streaked face a portrait of fear and despair. Bruises marred her delicate skin, evidence of the ordeal she had endured. Her hands were held behind her head in a gesture of submission, a silent plea for mercy in the presence of the towering figure before her. The horned figure loomed over her, a menacing presence cloaked in shadows and mystery. Its cranial facial structure gave it an otherworldly appearance, a be
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