Placeholder: the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray

@generalpha

Prompt

the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

1 year ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software. , by Chris Foss
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software. , by Chris Foss
Death has arrived and it came in a spaceship.
[art by Chris Foss] Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software
Aliens have finally arrived to make contact with us. Only problem is they are monstrous and dead, and they have come to assimilate us into their eternity.
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
[art by Chris Foss] Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software
star trek camp parked in barracks: In the mine's dark depths, shadows dance with malice, Captives enslaved by massive scavengers' cruel malice. Axes and pikes wielded, herded like cattle to doom, Tribe's ruthless ways assign mining, sealing captives' gloom. Toiling under watchful eyes, pickaxes clang in the dark, Echoing through tunnels, a reminder stark. Flickering torchlight casts eerie shadows, foreboding air, Stale and oppressive, burdened with despair.
In a stark, alien landscape rendered in bold, flat colors, a colossal spaceship has crash-landed. Its metallic hull, etched with harsh lines and rivets, is stained with streaks_of what could be oil or alien blood. The ground around it is cracked and uneven, hinting at the violence_of the impact. Jagged, jagged mountains rise in the distance, their peaks scraping a sky filled with swirling, alien clouds. There's no sign of life, just an unsettling emptiness that stretches out in all directions. T

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