Placeholder: the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray

@generalpha

Prompt

the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

3 years ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
A group of scientists, A conscious machine In the space, in a spaceship, with a computer: Destination: Void this is the science fiction novel by Frank Herbert, the first of four novels in the Pandora Sequence series. the story is continued—and embellished with more details of the Moonbase project and the history of the clones—in The Jesus Incident, The Lazarus Effect and The Ascension Factor co-authored by Bill Ransom. Record of Lodoss War style, Linework: Expressive, expressive black ink line
Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software. , by Chris Foss
a colossal titanic spaceship gracefully navigating the vast expanse of space, looming close to a large grey planet. The massive vessel, adorned with sleek metallic hulls and intricate technological marvels, exudes a sense of awe-inspiring grandeur as it glides through the cosmic void. Against the backdrop of the imposing grey planet, the spaceship appears as a behemoth
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
Death has arrived and it came in a spaceship.
[art by Chris Foss] Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software
Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software. , by Chris Foss
[high res photo by H.R. Giger for the Weyland-Yutani megacorp (1967)] Ultimate design for the heavily armed SCUBA scout with six fins, in the vein of a submarine high impact vehicle for a quick action or some such. at the bottom of the deep ocean
[art by Chris Foss] Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software
star trek camp parked in barracks: In the mine's dark depths, shadows dance with malice, Captives enslaved by massive scavengers' cruel malice. Axes and pikes wielded, herded like cattle to doom, Tribe's ruthless ways assign mining, sealing captives' gloom. Toiling under watchful eyes, pickaxes clang in the dark, Echoing through tunnels, a reminder stark. Flickering torchlight casts eerie shadows, foreboding air, Stale and oppressive, burdened with despair.

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