Placeholder: Two figures standing close in a softly lit room, early 20th-century Viennese apartment, minimal furnishings, subdued colors, faces turned slightly away from each other, shared silence more important than gesture, emotional intensity held in restraint, sense of ethical and emotional experimentation, intimacy without sentimentality, modernist tone, delicate balance between closeness and distance Two figures standing close in a softly lit room, early 20th-century Viennese apartment, minimal furnishings, subdued colors, faces turned slightly away from each other, shared silence more important than gesture, emotional intensity held in restraint, sense of ethical and emotional experimentation, intimacy without sentimentality, modernist tone, delicate balance between closeness and distance

@generalpha

Prompt

Two figures standing close in a softly lit room, early 20th-century Viennese apartment, minimal furnishings, subdued colors, faces turned slightly away from each other, shared silence more important than gesture, emotional intensity held in restraint, sense of ethical and emotional experimentation, intimacy without sentimentality, modernist tone, delicate balance between closeness and distance

distorted image, malformed body, malformed fingers

2 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1280 × 720

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Two figures standing close in a softly lit room, early 20th-century Viennese apartment, minimal furnishings, subdued colors, faces turned slightly away from each other, shared silence more important than gesture, emotional intensity held in restraint, sense of ethical and emotional experimentation, intimacy without sentimentality, modernist tone, delicate balance between closeness and distance
In the dining room of the large castle, she sits alone in a linen dress at the grand table. The flickering candlelight casts dancing shadows across the walls. Her eyes are drawn to a majestic statue mounted on the wall, depicting a woman clad in armor, strikingly similar to herself. The intricately carved features of the armored woman seem to gaze back at her, as if urging her to embrace her destiny.
Wednesday Addams kept close to Morticia's side. Though still in her usual somber colors, the young girl had chosen to dress according to Dior's aesthetic rather than her family's customary severe style. Wednesday wore a fit-and-flare dress hitting below the knees, made of finely ribbed wool in a muted charcoal. Three-quarter sleeves and a high lace collar lent it an air of mystery. At the waist was tied a wide sash of deepest navy silk, swaying gently as she walked. On her narrow feet were oxfor
[art by W. Heath Robinson] the reflection in the mirror is not her
A tableau of intrigue: Miss Scarlett in red allure, Colonel Mustard in yellow-ish authority, Mrs. White in crisp black and white efficiency, Reverend Green in serene greenish robes, Mrs. Peacock in regal blue elegance, and Professor Plum in luxurious purple eccentricity. Together, they embody the enigmatic narrative of our novel.
[Angel Heart (1987)] A tableau of intrigue: Miss Scarlett in red allure, Colonel Mustard in yellow-ish authority, Mrs. White in crisp black and white efficiency, Reverend Green in serene greenish robes, Mrs. Peacock in regal blue elegance, and Professor Plum in luxurious purple eccentricity. Together, they embody the enigmatic narrative of our novel.
[Renaissance, a Lady] Who was I? Where was I?… The landscape was totally unknown to me, even my body was unfamiliar. What forces brought me here? I searched my mind for memories… There was something there, but it was too clouded… A name… I scanned the horizon. A distant structure rose out of the mists. As evening approached I came upon an enigmatic oasis with a fountain.
So through steam-hung billows I watch your flowing form's lithe journey unto sanctum more secluded yet - the locker room, where ladies do disrobe in private bower. My eyes peer reverent through mist veil as your dance carries lithe self past padded benches, peeling off each clinging layer 'neath which sacred valleys and flowering knolls emerge nude and glistening for air's soft tongue. Soon your gym garb joins the sweat-damp heap upon the floor, leaving pale curves and secret clefts painted sole
[a scene from Angel Heart, the movie (1987)] A tableau of intrigue: Miss Scarlett in red allure, Colonel Mustard in yellow-ish authority, Mrs. White in crisp black and white efficiency, Reverend Green in serene greenish robes, Mrs. Peacock in regal blue elegance, and Professor Plum in luxurious purple eccentricity. Together, they embody the enigmatic narrative of our novel.
a fun greek party in the basement of a palace in Babylon: beds, music, dancers, animals, food, smiling kinds and queens
[modern] A woman in tuxedo around a pond
In this ethereal moment, Agatha Holmes stood as a conduit between worlds, her actions transcending the boundaries of the tangible and reaching into the realm of the miraculous. The flowers, now at rest upon the heart, symbolized the triumph of light over darkness, of goodness over evil.

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