Placeholder: [very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] weapons ready to be used by Joan of Arc leonardo's katana, michelangelo's nunchaku, donatello's bo staff, raphael's sai [very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] weapons ready to be used by Joan of Arc leonardo's katana, michelangelo's nunchaku, donatello's bo staff, raphael's sai

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@generalpha

Prompt

[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] weapons ready to be used by Joan of Arc leonardo's katana, michelangelo's nunchaku, donatello's bo staff, raphael's sai

distorted image, malformed body, malformed fingers

22 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1248 × 832

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[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] As Arjuna and Duryodhana stand shoulder to shoulder, facing the same wooden target in the archery contest, their skills as archers are undeniable. Both warriors possess remarkable talent and prowess with the bow, each capable of hitting their mark with precision and power. Arjuna's form is impeccable, his arrows flying true and striking the target with effortless grace. His mastery of archery shines brigh
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] As Arjuna and Duryodhana stand shoulder to shoulder, facing the same wooden target in the archery contest, their skills as archers are undeniable. Both warriors possess remarkable talent and prowess with the bow, each capable of hitting their mark with precision and power. Arjuna's form is impeccable, his arrows flying true and striking the target with effortless grace. His mastery of archery shines brigh
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] Pharesm made a peremptory gesture. Cugel fell silent. Pharesm drew a deep breath. "You fail to understand the calamity you have visited upon me. I will explain, so that you may not be astounded by the rigors which await you. As I have adumbrated, the arrival of the creature was the culmination of my great effort. I determined its nature through a perusal of forty-two thousand librams, all written in crypt
[photo from collection gilman and gonzalez-FALLA]
[photo from collection gilman and gonzalez-FALLA]
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] As Arjuna and Duryodhana stand shoulder to shoulder, facing the same wooden target in the archery contest, their skills as archers are undeniable. Both warriors possess remarkable talent and prowess with the bow, each capable of hitting their mark with precision and power. Arjuna's form is impeccable, his arrows flying true and striking the target with effortless grace. His mastery of archery shines brigh
[photo shoot of Sandokan by Sergio Sollima, (1976)] In the gritty streets of Alabama, where the humid air hung heavy with the scent of sweat and secrets, a lone figure stands before the weather-beaten door of a rundown motel. The silhouette of the Dharma Bum, a former gangsta covered by tattoos. To the untrained eye, it was just another shabby building in a forgotten corner of the city. But to those in the know, it was a temple of sorts, a sanctuary for those seeking solace in the chaos of urban
In a mesmerizing passage from a new book, a vibrant scene unfolds at Angkor Wat, where the ancient temple serves as the backdrop for a Kecak Dance unlike any other. Men and women, their movements filled with fiery passion, dance with an intensity that seems to ignite the very air around them. The rhythmic chanting and synchronized gestures create a spectacle that is both captivating and exhilarating, as if the spirits of the temple itself have come to life through their movements. The energy of
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] The Tharks were having their hands full in the center of the room, and | began to realize that nothing short of a miracle could save Dejah Thoris and myself, when | saw Tars Tarkas surging through the crowd of pygmies that swarmed about him. With one swing of his mighty long-sword he laid a dozen corpses at his feet, and so he hewed a pathway before him until in another moment he stood upon the platform b
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] On reaching it the chariots were parked with military precision on the four sides of the enclosure, and half a score of warriors, headed by the enormous chieftain, and including Tars Tarkas and several other lesser chiefs, dismounted and advanced toward it. | could see Tars Tarkas explaining something to the principal chieftain, whose name, by the way, was, as nearly as | can translate it into English, Lo
[on the bridge of the Potemkin] Onna bugeisha woman in armour with a katana on japanese battleship: Surreal... a psychological thriller... ... mix in a little World War II... sure... surreal events in an occupied town... man sees ancient soldier hiding in abandoned home... "Twilight Zone." What's that? No! You didn't want any jungle queens! Now wait a minute. You can't breathe. Too hot in here. Gotta open your eyes! Your mouth! What? They're open? Impossible-- You can't breathe! What? Fly? You a
In a surreal twist, Maria Magdalena encounters an ancient soldier, a spectral figure who seeks shelter in an abandoned home. Their encounter in this twilight zone reveals the depth of her inner turmoil and the resilience of her spirit. But alas, the pressure of deadlines and the demands of the art world threaten to overwhelm Maria Magdalena. The constant need for something new and different drives her to the edge. She battles with the voices in her head, struggling to find her unique voice amids
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