[psychedelic art by Ralph Steadman] Unauthorized use, copying, modification, distribution, or reproduction of this work in any form — including but not limited to its use as training data or reference material for artificial intelligence systems — is strictly prohibited without my prior written permission. Any violation of these terms will be met with immediate legal action, including claims for substantial damages, injunctions, and recovery of all related legal expenses. This notice serves as a

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[art by Ralph Steadman] As a mathematician, my life revolves around precision, clarity, and, of course, LaTeX. For the past three years, I’ve grappled with a seemingly simple problem: using the Montserrat font in my LaTeX Beamer presentations, specifically in bold. You’d think it wouldn’t be that difficult, right? Apparently, I was mistaken.After years of searching through forums, PDF documentation, and every corner of the internet, I decided to consult a large language model. I figured, “How h

[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."

[art of John Blanche, frank frazetta, Heath Robinson and Norman Rockwell] The starship drifted through the void, its hull a lattice of blackened chrome and crimson light, pulsating. Within its core, the engine hummed with an energetic rhythm, a mechanical heartbeat defying the silence of the abyss.Cloaked in an enigmatic aura, the pilot sat in solitude, her face half-hidden behind a mask of iridescent crystal. She was a navigator of the forgotten, charting pathways through dimensions no human mi

[art by Ralph Steadman] Inside the Fate of a marble

Chris Foss style art, of a huge luxury space liner, white and gold, gorgeous nebula behind, dreamlike, perfect

[high res illustration by Ralph Steadman] Raj nods slowly, his dark eyes tracking the quantum patterns on the sphere. "Look at the way it's connected everything. Not just systems, but concepts. We're watching it build something new. Something greater than the sum of its parts." Tim leans forward, elbows on the console. "The original OMC was just a computer we hooked up to a brain. This is..." The sentence trails off as he gestures at the quantum patterns pulsing through the ship's systems. "It'

The island becomes a tapestry of intrigue and possibility, its secrets beckoning Raquel to push further, to delve deeper into the heart of the unknown. She encounters advanced machinery that hums with a symphony of purpose, its intricacies unraveling before her in a mesmerizing display of ingenuity. Each discovery fuels her determination, propelling her forward with an insatiable thirst for answers. As the pieces of the puzzle fall into place, Raquel's understanding of the island's purpose solid

[art by Masamune Shirow] In a realm of cosmic wonder, Jesus explores canyon holes with geometric carvings, encountering microscopic water bears and a punk band with spiky hair. Inside a unique spaceship, he witnesses a planet in chaos, with running bison and falling buildings amidst the fiery skyline of New York. The surreal scene intertwines skin follicles, mannequins, and seaweed mattresses in a dance of existence, revealing the essence of creation and transformation. Amidst the mysteries of t

$SNIFFIN’ GLUE magazine high res photo cover by Ralph Steadman: special issue #2442 on stochastic processes, guest star: Wiener and Ito for their definitions and changes of variable: :\[dX_t = [a_1(t)X_t + a_0(t)]dt + [b_1(t)X_t + b_0(t)]dW_t, \quad X_0 \text{ donné}\]On commence par chercher une solution $F_t$ du système homogène: $dF_t = a_1(t)F_t dt + b_1(t)F_t dW_t$ avec $F_0 = 1$.Trivialement :\[F_t = \exp\left[\int_0^t \left(a_1(s) - \frac{1}{2}b_1(s)^2\right)ds + \int_0^t b_1(s)dW_s$