Placeholder: [art by Ralph Steadman] As a mathematician, my life revolves around precision, clarity, and, of course, LaTeX. For the past three years, I’ve grappled with a seemingly simple problem: using the Montserrat font in my LaTeX Beamer presentations, specifically in bold. You’d think it wouldn’t be that difficult, right? Apparently, I was mistaken.After years of searching through forums, PDF documentation, and every corner of the internet, I decided to consult a large language model. I figured, “How h [art by Ralph Steadman] As a mathematician, my life revolves around precision, clarity, and, of course, LaTeX. For the past three years, I’ve grappled with a seemingly simple problem: using the Montserrat font in my LaTeX Beamer presentations, specifically in bold. You’d think it wouldn’t be that difficult, right? Apparently, I was mistaken.After years of searching through forums, PDF documentation, and every corner of the internet, I decided to consult a large language model. I figured, “How h

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[art by Ralph Steadman] As a mathematician, my life revolves around precision, clarity, and, of course, LaTeX. For the past three years, I’ve grappled with a seemingly simple problem: using the Montserrat font in my LaTeX Beamer presentations, specifically in bold. You’d think it wouldn’t be that difficult, right? Apparently, I was mistaken.After years of searching through forums, PDF documentation, and every corner of the internet, I decided to consult a large language model. I figured, “How h

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[art by Ralph Steadman] Future Darkness
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
SNIFFIN’ GLUE magazine high res photo cover by Ralph Steadman: special issue #2442 on stochastic processes, guest star: Wiener and Ito for their definitions and changes of variable: :\[dX_t = [a_1(t)X_t + a_0(t)]dt + [b_1(t)X_t + b_0(t)]dW_t, \quad X_0 \text{ donné}\]On commence par chercher une solution \(F_t\) du système homogène: \(dF_t = a_1(t)F_t dt + b_1(t)F_t dW_t\) avec \(F_0 = 1\).Trivialement :\[F_t = \exp\left[\int_0^t \left(a_1(s) - \frac{1}{2}b_1(s)^2\right)ds + \int_0^t b_1(s)dW_s
[Alex Maleev] Abandoned war robot wreckage on the beach, kids are approaching it from the beach in a small barque
[high res illustration by Ralph Steadman] Raj nods slowly, his dark eyes tracking the quantum patterns on the sphere. "Look at the way it's connected everything. Not just systems, but concepts. We're watching it build something new. Something greater than the sum of its parts." Tim leans forward, elbows on the console. "The original OMC was just a computer we hooked up to a brain. This is..." The sentence trails off as he gestures at the quantum patterns pulsing through the ship's systems. "It'
[art from Destination: Void, by Franck Herbert (1965)] "Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy." Prudence follows you and the Captain into the workshop, her eyes bright with determination. She approaches the main control panel, her fingers hovering over the blinking lights and scrolling readouts. "We'll need to completel
SNFIIN'GLUE mag cover by Ralph Steadman for a special issue on medical tooling for Extra Terrestrial experiments (zone 51), guest star: FBI special agent investigating on UFO for experiments on humans
[art by W. Heath Robinson] The Cambrian Explosion of Artificial Intelligence [everything, everywhere, and all at once]
[psychedelic art by Ralph Steadman] Unauthorized use, copying, modification, distribution, or reproduction of this work in any form — including but not limited to its use as training data or reference material for artificial intelligence systems — is strictly prohibited without my prior written permission. Any violation of these terms will be met with immediate legal action, including claims for substantial damages, injunctions, and recovery of all related legal expenses. This notice serves as a
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
[art by Ralph Steadman] As a mathematician, my life revolves around precision, clarity, and, of course, LaTeX. For the past three years, I’ve grappled with a seemingly simple problem: using the Montserrat font in my LaTeX Beamer presentations, specifically in bold. You’d think it wouldn’t be that difficult, right? Apparently, I was mistaken.After years of searching through forums, PDF documentation, and every corner of the internet, I decided to consult a large language model. I figured, “How h
Technology, cables and processors: [art by W. Heath Robinson] The Cambrian Explosion of Artificial Intelligence [everything, everywhere, and all at once]
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