Placeholder: he essence of a modern beatnik road trip from the East Coast to the West Coast, inspired by the themes of William S. Burroughs' "The Electronic Revolution" and Jack Kerouac's "On the Road." The images should blend the restless spirit of the beat generation with the digital age, highlighting the tension between authentic experiences and the manipulative power of electronic media. he essence of a modern beatnik road trip from the East Coast to the West Coast, inspired by the themes of William S. Burroughs' "The Electronic Revolution" and Jack Kerouac's "On the Road." The images should blend the restless spirit of the beat generation with the digital age, highlighting the tension between authentic experiences and the manipulative power of electronic media.

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he essence of a modern beatnik road trip from the East Coast to the West Coast, inspired by the themes of William S. Burroughs' "The Electronic Revolution" and Jack Kerouac's "On the Road." The images should blend the restless spirit of the beat generation with the digital age, highlighting the tension between authentic experiences and the manipulative power of electronic media.

8 months ago

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SSD-1B

Guidance Scale

7

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1280 × 720

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he essence of a modern beatnik road trip from the East Coast to the West Coast, inspired by the themes of William S. Burroughs' "The Electronic Revolution" and Jack Kerouac's "On the Road." The images should blend the restless spirit of the beat generation with the digital age, highlighting the tension between authentic experiences and the manipulative power of electronic media.
a poet reading a book on a mountain, words are the scream of silence [Jean Nicolas Arthur Rimbaud est un poète français ]
traffic jam by helmut newton
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] a scene of duel between a vampire and a sheriff in a Wild Wild West attack of sesession war in the grand canyon
a poet reading a book on a mountain, words are the scream of silence [Jean Nicolas Arthur Rimbaud est un poète français ]
[art from Destination: Void, by Franck Herbert (1965)] Captain Bickel moves closer to the screen, scrutinizing the data. "How far back does this research go?" he asks, his fingers tracing the dates on the screen. "Are these recent failures, or are we talking about experiments from decades ago?" His question hangs in the air, the implications clear. You realize the research spans several decades, from the early days of AI development to more recent experiments. As you open your mouth to explain,
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] Pharesm made a peremptory gesture. Cugel fell silent. Pharesm drew a deep breath. "You fail to understand the calamity you have visited upon me. I will explain, so that you may not be astounded by the rigors which await you. As I have adumbrated, the arrival of the creature was the culmination of my great effort. I determined its nature through a perusal of forty-two thousand librams, all written in crypt
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] the Black or Afro-American sheriff in the Wild West. A tale as rare and powerful as a shooting star in the night sky. Picture this: a lone figure, standing tall in the dusty streets of a frontier town, a badge gleaming on their chest, defying the odds and challenging the stereotypes of the time.
[photo by Russ Meyer on the streets] Come and give your love away, don't play it safe. You may let them fall but I won't let them break. Wanna chase a sunset, are You ready yet? You won't get this chance every day. It's cold out there, don't fear the road just come along with us. You're not alone out there. Let's write a song, make up the melody: “if you're looking for me baby you know you can find me following the sun”.
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] the Black or Afro-American sheriff in the Wild West. A tale as rare and powerful as a shooting star in the night sky. Picture this: a lone figure, standing tall in the dusty streets of a frontier town, a badge gleaming on their chest, defying the odds and challenging the stereotypes of the time.
« Shinjuku Station, Tokyo, 1962 ». Estate of Y. Hiro Wakabayashi
[art by Russ Meyer] Lee Miller stands with her camera in the battlefield. she shows off her garters. This war photographer is a fascinating figure indeed. She captured powerful images during World War II, showcasing the realities of conflict with a unique perspective. Her work is a testament to the courage and artistry of photojournalists in documenting history.
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