Placeholder: the iconic command deck of Destination: Void, by Franck Herbert (1965) the iconic command deck of Destination: Void, by Franck Herbert (1965)

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Prompt

the iconic command deck of Destination: Void, by Franck Herbert (1965)

10 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1280 × 720

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the iconic command deck of Destination: Void, by Franck Herbert (1965)
[art by Russ Meyer] a secluded chamber, a sanctuary of explorations. The room is adorned with an array of futuristic devices, each designed to awaken and satisfy the dreams of those who dare to enter. surrounded by an assortment of probes, arms, extensions, pinacles, and slime. a large bed in the center, with pillows and soft sheets in cotton
the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray
[Star Trek] The BRIDGE of the USS Enterprise hums with activity as crew members diligently go about their duties. Amidst the controlled chaos, GILLIAN ANDERSON, a brilliant astrophysicist with a sharp intellect, and CHARLIZE THERON, a skilled xenobiologist with a keen eye for detail, stand together on the deck. Gillian's eyes sparkle with intellectual curiosity as she gazes at the starry expanse beyond the viewports. Charlize leans in, her interest piqued by Gillian's words. They engage in an an
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
the cockpit of the mighty spaceship hummed with a symphony of lights and controls. At the helm, the young cadet in camouflage of the USS Polaris unit sat with focused intensity, hands moving deftly over the control panel as the ship glided smoothly through the atmosphere.Beside them, the cocky specialist in radar and communications, monitored the readouts with a confident grin, her expertise shining through in the precision of his actions. Below on the power deck, Astro, the skilled colonial fr
It's not rocket science, . A Detailed Technical Drawing.
the concept of control and manipulation in the electronic age. He scrutinizes how technology, particularly the rise of mass media and communication systems, can be harnessed by those in power to shape and mold public opinion. Burroughs delves into the sinister ways in which information control can be wielded, and the potential dangers that arise from this manipulation. Furthermore, "The Electronic Revolution" delves into the realm of consciousness and perception. Burroughs explores how technolog
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
[art by Russ Meyer and Milo Manara] a secluded chamber, a sanctuary of explorations. The room is adorned with an array of futuristic devices, each designed to awaken and satisfy the dreams of those who dare to enter. surrounded by an assortment of probes, arms, extensions, pinacles, and slime. a large bed in the center, with pillows and soft sheets in cotton
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
Who can forget that 1960's TV show from Toho studios. The Space Giants, along with the heroes of the Science Foundation, who weekly saved the planet from space monsters. Being a childhood fan of Ultra Man, I really enjoyed Bing creating these pictures, and it did so well.
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