Placeholder: [very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] the Black or Afro-American sheriff in the Wild West. A tale as rare and powerful as a shooting star in the night sky. Picture this: a lone figure, standing tall in the dusty streets of a frontier town, a badge gleaming on their chest, defying the odds and challenging the stereotypes of the time. [very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] the Black or Afro-American sheriff in the Wild West. A tale as rare and powerful as a shooting star in the night sky. Picture this: a lone figure, standing tall in the dusty streets of a frontier town, a badge gleaming on their chest, defying the odds and challenging the stereotypes of the time.

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[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] the Black or Afro-American sheriff in the Wild West. A tale as rare and powerful as a shooting star in the night sky. Picture this: a lone figure, standing tall in the dusty streets of a frontier town, a badge gleaming on their chest, defying the odds and challenging the stereotypes of the time.

distorted image, malformed body, malformed fingers

25 days ago

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SSD-1B

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7

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1248 × 832

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[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] the Black or Afro-American sheriff in the Wild West. A tale as rare and powerful as a shooting star in the night sky. Picture this: a lone figure, standing tall in the dusty streets of a frontier town, a badge gleaming on their chest, defying the odds and challenging the stereotypes of the time.
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] a scene of duel between a vampire and a sheriff in a Wild Wild West attack of sesession war in the grand canyon
in the wild Wild West: My Name Is Nobody [Il mio nome è Nessuno (1973)] she stands tall with her guns
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] Pharesm made a peremptory gesture. Cugel fell silent. Pharesm drew a deep breath. "You fail to understand the calamity you have visited upon me. I will explain, so that you may not be astounded by the rigors which await you. As I have adumbrated, the arrival of the creature was the culmination of my great effort. I determined its nature through a perusal of forty-two thousand librams, all written in crypt
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] the Black or Afro-American sheriff in the Wild West. A tale as rare and powerful as a shooting star in the night sky. Picture this: a lone figure, standing tall in the dusty streets of a frontier town, a badge gleaming on their chest, defying the odds and challenging the stereotypes of the time.
Possibly the most notorious female outlaw and gunslinger of the Wild West was Belle Starr. Born in 1848, Belle was a classically-educated young lady whose life turned upside down following a Union soldier attack in the early American Civil War. Soon after the attack, her family moved to Texas where Belle reunited with childhood friends none other than notorious Jesse James and the Younger brothers. Soon, she was proficient in various forms of organized crime. She mastered the arts of fencing
One of the toughest, albeit lesser-known cowgirls of the Wild West was Goldie Griffith. Goldie joined a small group of showgirls working with Buffalo Bill. Hired without knowing how to ride a horse, Goldie soon learned to bust broncos for the show. Fuelled by her newfound skills, she also began working as an actress and stunt rider in Western movies. On one particular Wild West Show, an astonishing crowd of 8,000 witnessed her tie the knot with Hiram Joseph Sterling. The couple had one child,
My Name Is Nobody [Il mio nome è Nessuno (1973)] he stands tall with his guns
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] the Black or Afro-American sheriff in the Wild West. A tale as rare and powerful as a shooting star in the night sky. Picture this: a lone figure, standing tall in the dusty streets of a frontier town, a badge gleaming on their chest, defying the odds and challenging the stereotypes of the time.
[Movie Poster: in letters: ONCE UPON A TIME IN TE WEST] Claudia Cardinale in her iconic scene of Once Upon a Time in the West (1868): the western train station behind her she discovers the small cowboy city in construction, in the dust. She observes, a shawl draped over her lace-trimmed bourgeois dress, her hair pulled back into a tousled bun. there is dust in the air
Archival photograph of aliens landing at Area 51 and meeting Orson Welles in jaunty desert garb
The Treasure of the Sierra Madre. (1948)
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