Placeholder: Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres. Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.

@generalpha

Prompt

Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

6 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

Similar

1950s traditional Christian family in space station family room but mom is a futuristic female silver android in a latex silver android suit. Only mom is an android. Mom has a normal human face, with silver sci-fi makeup. Mom is robotically cleaning up, while the rest are sitting watching tv
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
Archival color photograph of aliens landing at Area 51 and meeting James Dean in jaunty desert garb
[Jason and the Argonauts (1963)] super bear in the jun with a blue costume and a companion giant bee, in a boat
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
the cover to Walrus, And that was the colors of the saucer? No, her swimsuit. (1967) #47 by Stephen Bissette and John Totleben
Archival color photograph of aliens landing at Area 51 and meeting James Dean in jaunty desert garb
riding a bus
Archival photograph of aliens landing at Area 51 and meeting Orson Welles in jaunty desert garb
the material form is no different from the void of shapeless emptiness; the material form is the same as emptiness, and emptiness the same as the material form.
Original cover art by Chris Ware for Images, the magazine supplement to the Daily Texan, published by the University of Texas at Austin, May 3, 1990.
the concept of control and manipulation in the electronic age. He scrutinizes how technology, particularly the rise of mass media and communication systems, can be harnessed by those in power to shape and mold public opinion. Burroughs delves into the sinister ways in which information control can be wielded, and the potential dangers that arise from this manipulation. Furthermore, "The Electronic Revolution" delves into the realm of consciousness and perception. Burroughs explores how technolog

© 2024 Stablecog, Inc.