Placeholder: Pvitography, professional, alienating nothingness and distressing anguish Max Ernst Pvitography, professional, alienating nothingness and distressing anguish Max Ernst

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@Mabaaigen

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Pvitography, professional, alienating nothingness and distressing anguish Max Ernst

Poorly drawn, pixelated, compressed, low resolution, normal quality, low quality, bad anatomy, bad proportions, cloned face, duplicate, extra arms, extra limbs, extra legs, fused fingers, gross proportions, long neck, malformed limbs, extra legs, fused fingers, watermark, signature, username, jpeg artifacts, jpg artifacts.

9 months ago

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Model

SSD-1B

Guidance Scale

16

Dimensions

4096 × 4096

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Alienating nothingness and distressing anguish Max Ernst
Nothingness and distressing anguish old wooden figure wasteland night Max Ernst Hieronymus Bosch
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy
Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy
High definition photography of a marvelous landscape, trees, flowers, giant sun, people wearing masks, eerie, rock formations, Max Ernst surreal characters, Yves Tanguy odd objects, Henri Rousseau, thoughtful, interesting, a bit appalling, smooth
Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
Nothingness and distressing anguish old wooden figure wasteland night Max Ernst Hieronymus Bosch
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
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